season 1

TRANSCRIPT: 1.10 - Oblivion

A PDF of this transcript is available here.

RADIO TRANSMISSION

A little radio JINGLE plays.

ABE

Welcome back to W-K-C-H, Charity's only public radio. This is Abe Ramirez, broadcasting live as strange phenomena appear in the forest around Charity. So far we've heard reports of inky darkness -- darker than a foggy night -- unexplained power failure, and strange sounds. Could this be extraterrestrial activity here in Wasco County? 

JAKE (FROM AFAR)

It's not aliens!

ABE

(annoyed, trying to ignore him)

We're reaching out to paranormal experts as we speak.

JAKE

(a little closer, still not on mic)

It's never aliens, man.

ABE

(turns away from mic)

Jake, dude, I told you, if you're going to stay at my place, you have to stay out of the recording studio.

JAKE

(closer)

It's a wooden box in the middle of your living room, it's not like I can't hear what you're saying in there.

(grabs a mic)

Hello, Charity, it's Jake Talbott, host of Squatch Talk.

ABE

Hey! What are you doing?

JAKE

You need my expertise, man, just trust me on this.

ABE

Never record live, they told me. But did I listen?

JAKE

Abe, please. Let's be professional.

ABE

(scoffs)

Uh -- !

JAKE

People need to know what's going on. It's dangerous out there. They should stay off the roads and out of the woods.

ABE

Well, obviously nobody's going into the woods right now.

EXT. WOODS - NIGHT

Lara staggers through the underbrush. Sasquatch walks HEAVILY in front of her.

LARA

Sodapop? Are you out here?

JAKE (V.O.)

Be on the lookout for anything unusual, especially a strong, sulphur-like smell.

Lara sniffs.

LARA

Ugh. Oh my god. I'm sorry, I'm sure your smell is great for other -- whatever you are.

ABE (V.O.)

Is this about Bigfoot again? I'm telling you, man, it's not out there. Not tonight.

Sasquatch grunts.

LARA

I'm just really nauseous. Or is it nauseated? I'm nauseated. 

SASQUATCH

Grmph.

LARA

It's a concussion, right? It's gotta be. I don't supposed you can see my pupils.

Sasquatch suddenly stops, sniffs. It roars and runs ahead.

LARA

Right, you're busy. 

(calls)

Sodapop? Sodapop!

FADE TO:

INT. BASEMENT - NIGHT

Sounds of sleeping. Abe and Jake sound shifts to a small radio in the room.

ABE (V.O.)

In any case, for your own safety, everyone should stay indoors.

The door to the basement OPENS. Rose walks in.

JAKE (V.O.)

And if you do see anything, give us a call! Our lines are open.

ABE (V.O.)

What? No, they're not. I've got all these experts (I'm just waiting on a call back from)

JAKE (V.O.)

(overlapping)

Okay, then call me. It's Five-Oh-Three, Eight-Six --

Radio clicks OFF.

Rose approaches a sleeping Camille.

ROSE

Camille.

Camille wakes with a start.

CAMILLE

What -- oh, Rose.

ROSE

It's time. Wake the others.

CAMILLE

It's time? Are you sure?

ROSE

Yes. Wake them up. We're going into the forest. Now.

CAMILLE

Okay. Yeah. Let's go.

She gets up, quickly.

TITLES

NARRATOR

Believer. Episode Ten. Oblivion.

EXT. DEAD ZONE - NIGHT

Sasquatch sniffs, growls, shuffles its giant feet.

Lara crashes out of the underbrush, still unsteady on her feet.

LARA

Sodapop? Sodapop! God, it's so dark out here. My phone is totally dead.

Sasquatch growls a warning. Lara stops.

LARA

Wait, is this...the Dead Zone? From before? 

Sasquatch sniffs.

LARA

Oh my god.

VO LARA

It was absolutely covered in carcasses. Before there had been a lot of dead animals, but this -- it was like a carpet.

LARA

Were these...squirrels?

Sasquatch grunts another warning.

LARA

I won't touch it.

SASQUATCH

Hmph.

LARA

What's growing out of them?

VO LARA

Sickly white mushrooms sprouted out of each of the dead animals. I don't even know if white is the right...it was like they were drained of color. Have you ever seen those flowers that grow inside of caves? There's a variety of orchid that never sees the sun. But it grows anyway. Those are beautiful, though. These were...wrong. At the base they were black, oily, like the ones I found in the water pipe. But as they grew, the color drained out. And the caps were...disturbing. Bloated, pulsing, pustules ready to burst.

LARA

They're flowering. Ready to release their spores.

SASQUATCH

(yep)

Humph.

LARA

Is this -- did you bring me here? To see this? 

SASQUATCH

(yes)

Huh-whuff.

LARA

You want to help them...why can't you help them?

SASQUATCH

Hrmphf. 

LARA

Is it because you're not real?

Sasquatch growls.

LARA

Ow! God, watch it. Chewbacca-looking asshole.

Sasquatch growls, then stops, stiffens.

LARA

What...?

Footsteps approach. Voices humming. Sasquatch squeaks and rushes into the trees in the opposite direction.

LARA

Wait, Sass -- Sasquatch. And he's gone.

(beat)

How hard did I hit my head?

The CULT comes through the underbrush.

ROSE

We're here. Close the lanterns and keep them out of sight.

CAMILLE

Of course.

(to others)

Let's go.

She rushes off with a few others. Rose takes a step forward.

ROSE

There. The flowers. Do you see? God's fingers. They're even more beautiful than I dreamed.

Cultists murmur to each other.

ROSE

Everyone, line up around...

(stops)

Lara?!

LARA

Um...hi.

ROSE

Are you kidding me? What are you doing here?

LARA

So, long story -- there was a car accident, and I actually think I have a concussion. 

ROSE

Where's Sodapop?

LARA

He ran off. I was actually trying to find him, but, uh, I might just need the hospital?

ROSE

He ran off? He's out here somewhere?

LARA

Well, I'm looking for him.

ROSE

You were supposed to keep him safe!

LARA

I'm trying! Sorry. Listen, Rose, I don't know what's happening here, but (you don't have to do this) --

ROSE

(overlapping)

No, you don't. You don't know what's happening here. We're about to change the world, Lara. Make it new.

LARA

With mushrooms?

ROSE

Stop making fun of me!

The cultists stop and turn, whispering.

LARA

I'm not...

A star STREAKS across the sky, a distant squealing scream.

LARA

What is that?

ROSE

(relieved)

The stars. It's time.

(to Lara)

You can't stop this, Lara. Do you understand? It's already begun.

LARA

Rose...

ROSE

Find Sodapop. Take him somewhere far from here.

(to others)

Everyone! Gather around. Just like we practiced. 

LARA

Rose -- wait. Whatever's supposed to happen here -- you know it's not right. You sent Sodapop away, right? It doesn't look like your mom is here. Some part of you wants to protect the people you love.

Rose scoffs ruefully.

ROSE

(to herself)

Not everyone I love.

LARA

What?

CAMILLE

Sister Rose? We're ready.

ROSE

Good.

(to Lara)

It's too late, Lara. Join in or get out of the way. 

(to the others)

Form a ring! Get close, close to the beautiful, blooming flowers. 

(they move)

And now...it begins.

The cultists begin to chant.

CULT

All is nothing, and we are all. All in nothing, and we are all...

The stars begin to scream overhead.

LARA

Rose -- 

ROSE

(louder)

All is nothing! We are all!

LARA

Rose!

CAMILLE

(ugh)

Marcus, can you...?

Marcus grunts and grabs Lara.

LARA

Ow! Hey.

An odd groaning sound as animals move. Chittering noises. 

LARA

Wait...what's happening?

VO LARA

It's hard to describe what happened next. And not just because my head was swimming worse than ever. 

Chanting, star sounds continue. 

VO LARA

Shooting stars were streaking overhead, far too bright, far too close, and there was this odd sound -- it was like you could hear them breaking up against the atmosphere, squealing as the friction wore them down. But that wasn't the crazy part.

Animals begin to grunt and move.

VO LARA

Now listen, I know I was hallucinating at this point. I was definitely starting to see double, and that alone can...but that blanket of animal corpses? Those dead animals...started to move.

CULTIST CHILD

W-What is that?

CULTIST MOM

It's okay, honey. Say it with me: "All is nothing..."

LARA

Holy shit. Shit.

ROSE

Don't stop! We're nearly there! Bring the dead to life again!

VO LARA

Except it wasn't like the animals had come back to life. Their movements were strange, disjointed, like something else was controlling them. Piloting them.

ROSE

This is glory! This is beauty! This is life from death!

VO LARA

There's a type of parasite -- ophiocordyceps. You usually only see it in bugs. Ants or caterpillars, things like that. It takes over its host's central nervous system. They -- okay, I'm not talking about zombies. I mean people use them in zombie stories sometimes, but -- What it actually does is force its host to climb. The ant finds a tall tree and just goes up and up and up. Then, when the ant can't get any higher, it sends its spores through the air.

Grunting and chittering of reanimated animals.

VO LARA

These animals weren't going up, though. They were moving toward the cult members. 

LARA

Oh god. She's planning to infect the others. Can't you see? She's going to turn you all into parasites.

Marcus grunts and drags her away.

EXT. WOODS - CONTINUOUS

The chaos quiets as Marcus drags her quickly through the underbrush.

LARA

No! Let me go! Please -- okay, I'm very dizzy, so if you can slow down -- ugh. Stop! Listen to me. There has to be some way to -- ow. Careful, there's a slope here and my vision is kind of -- ahhh!

Lara trips, slides, and rolls down a hill.

LARA

(groggy)

I'm okay. I'm okay. I'm...I'm...

Lara groans and BLACKS OUT.

MARCUS

Huh.

Marcus shrugs and walks away.

EXT. DEAD ZONE

Cultists are getting alarmed now. Weird, haunted cries and heavy steps as the zombie animals move.

ROSE

Don't move away! Let them come to you! As Revelations says:

(quotes scripture)

"Surrounding God's throne were living creatures, and they were covered with eyes, in front and in back." It's just as the scriptures say! Please!

Animals cry. A cultist SCREAMS.

CAMILLE

Here, I'll...I'll do it. I'll show you guys.

Camille steps forward.

An elk lumbers toward her.

CAMILLE

This elk...has been touched by Oblivion. I see it. Just like you said, Rose. Pale, moonlit flowers.

The other cult members go silent, watching.

Camille breathes, frightened.

The elk grunts and shies. 

Camille gasps.

ROSE

Don't move! It's okay. Just breathe. Just...breathe.

CAMILLE

Okay. 

(deep breaths)

All...is nothing...and we...are all...

The elk squeals.

FWOOSH! The mushrooms BURST. 

Everyone screams.

EXT. WOODS - NEARBY

Lara moans, trying to come to.

Two heavy FEET step up to her.

LARA

Where have you been?

She sniffs, then recoils.

LARA

Oh! God! It's so much worse at the feet, I...

Sasquatch grumbles softly.

LARA

Sorry. I'm sure it's...ohhhh, god. 

Lara starts to vomit, holds back, recovers.

Nearby, we hear SCREAMS.

LARA

Shit. Rose. The cult. Okay. Okay.

She staggers to her feet.

Sasquatch grunts.

LARA

Yeah, just...give me a minute. Okay. There's got to be some way to do something. 

(aha!)

The lanterns! They had, um, kerosene lanterns. And-and she wanted them out of sight. The mushrooms only grew at night. Light and heat! That's gotta be it, right?

Sasquatch makes a noncommittal noise.

LARA

Okay. Okay. You should stay away from here. Actually -- can you find my dog? You don't eat dogs, do you?

Sasquatch growls.

LARA

Okay. Okay. Let's go. Ready, uh, break.

Lara runs off.

EXT. DEAD ZONE

It's chaos. Stars scream overhead. Cult members scream on the ground. Animals lunge and cry. 

ROSE

Stop! Please -- you have to believe. This is joy, come into the world!

The cult members run into the woods.

ROSE

Please! Come back! No!

Camille suddenly gasps, coughs. 

ROSE

See, everyone? Camille is...she's...

(to Camille)

Are you okay?

CAMILLE

I feel...amazing. Every piece of me is so alive.

ROSE

See? The animals, the flowers -- it's a blessing.

Camille coughs and chokes wildly.

ROSE

Camille?

CAMILLE

It's okay -- I just can't -- I can't quite breathe --

An elk BELLOWS, along with a chorus of SQUIRRELS. The cult members SCREAM.

ROSE

(nervous)

This isn't...this wasn't in my dream. All this noise.

Lara steps out of the bushes.

LARA

Rose. You have to stop this. Please.

ROSE

Lara. What are you holding?

LARA

Propane lantern. Somebody's lighter. 

ROSE

You can't bring that here.

LARA

Your people are all leaving. 

ROSE

It's my father. He didn't teach them what to expect. I didn't have enough time...

LARA

We can end this now. You can try again later.

Camille gasps and struggles, desperate.

CAMILLE

No! Rose, please. You can't stop now.

ROSE

It's too late, anyway. They're already awake.

LARA

It's just a theory, but...look. If you bring the fire close to them...

A zombie animal SCREAMS. The mushrooms SIZZLE.

ROSE

Lara! Stop! You're killing them!

LARA

They're already dead!

CAMILLE

No. You're dead.

Camille lunges at Lara.

LARA

Agh! Don't -- please --

ROSE

Camille -- let her go.

CAMILLE

Rose! You can't let her do this. Oblivion is -- it's so --

She breaks off, coughing. Lara recoils.

LARA

Eugh. Cover your nose and mouth.

ROSE

Lara, don't.

CAMILLE

Rose. I saw it. The oldest ocean. Older than old. And reaching across the sky...a dark embrace...

ROSE

(a big moment)

You saw it.

CAMILLE

I saw...everything. And ever since I breathed in God's love --

LARA

They're spores.

ROSE

Lara!

CAMILLE

Listen to me. It's more than just a vision. I can feel everything. I'm connected to it all. 

ROSE

What do you mean?

CAMILLE

It's all one, Rose.

LARA

The mycorrhizal network.

CAMILLE

One being. One entity. But it needs you.

ROSE

We need to get to the center.

LARA

Rose -- please --

ROSE

Lara. I know you don't understand this. I don't expect you to follow me. But you have to let me go.

VO LARA

I can't describe what she looked like there. Standing in the dirt, the world ending all around her. And her eyes...so bright, so sad.

ROSE

I can't be alone anymore, Lara. I've been alone in this for so long.

CAMILLE

I'm with you now, Rose.

ROSE

Thank you, Camille.

(to Lara)

Lara...please just...pretend you get it. Please?

Lara sets down the lantern and the lighter.

LARA

Wait. 

ROSE

Listen --

LARA

I'll come with you. I'll leave the lantern here, and I'll...I'll come with you.

ROSE

(hesitates)

You can't save me from this.

LARA

Everything is spinning. My head hurts so bad...

ROSE

Lara?

LARA

I won't try to save you. Can I just sit with you? Until the end, or whatever?

ROSE

You won't try anything?

LARA

Rose, I don't have anything either.

ROSE

(hesitates)

Okay. Let's go.

CAMILLE

Are you sure?

ROSE

I'm sure. Let's go.

EXT. DEAD ZONE - CENTER - MOMENTS LATER

A group of possessed SQUIRRELS skitter by.

LARA

Gah! Demon squirrels.

ROSE

Here. This is it.

Drone. They approach a giant pile of goo. It PULSES softly.

CAMILLE

It's beautiful.

LARA

It's a weird pile of goo.

ROSE

The heart of oblivion.

LARA

Yeah, that sounds better.

ROSE

Come on. Move in close.

CAMILLE

Of course.

ROSE

Whatever happens, you'll have to carry it with you. Without the congregation -- we'll have to find others. Quickly.

CAMILLE

We'll take God's love to the world.

LARA

Or we'll die.

Camille growls.

ROSE

Hush. She'll understand. If you want to be here, Lara --

LARA

I want to be here.

ROSE

Then lean in close. And get ready to breathe.

LARA

Okay.

ROSE

I'm glad you're here.

VO LARA

She reached for my hand. But just before our fingers touched...

FWOOM! The mushroom BURSTS.

VO LARA

Glittering spores filled the air. We breathed in, and...

LARA BREATHES IN. It merges with the sound of...

EXT. OCEAN - BEYOND TIME AND SPACE

THE LARGEST, OLDEST OCEAN laps against the shore.

LARA

What...? Where am I?

VO LARA

I suddenly saw myself in this wide...expanse. Silver sand dunes that stretched beyond my imagination. I stood at the top of one. The sky, the ground -- it was so immense, so massive, it was overwhelming. It felt crushing.

Far away, we hear Rose LAUGHING.

VO LARA

At some point, the sand became water. Like the ripples in a mirage. And the water was a huge, dark ocean.


There was nothing there. Anywhere. Nothing except...

ROSE

(far away)

Lara! Laaaraaaaa...!

LARA

Rose.

Lara runs.

Rose laughs.

VO LARA

I ran. Forever. Like on the road walking home that night, except, instead of frightened I was...

Lara laughs. She whoops.

VO LARA

Ecstatic.

Lara reaches Rose.

ROSE

You made it!

LARA

I made it.

ROSE

It's me.

LARA

It's you.

ROSE

It's us.

LARA

I'm so...

VO LARA

That's when I caught it. 

LARA

Wait...

VO LARA

I was so...happy. Unbelievably happy.

LARA

This is wrong. 

ROSE

No, Lara. It's finally right.

VO LARA

And people like me? We don't get to be happy.

LARA

I need to go back.

ROSE

Lara...there's nowhere to go.

VO LARA

She was right. I turned around and around. But everywhere, in every direction, everything was the same. 

LARA

There's nowhere to go.

(beat)

I'm so...I'm so...tired...

Lara collapses.

VO LARA

I don't know if you've ever felt everything just kind of...drain out of you. It's a hard thing to imagine, if you haven't been through it. 


I could feel myself shutting down. Piece by piece. All the sensation slid down my shoulders, through my arms, out my fingers, and then dissipated. I knew that somewhere there was a forest, and spores, and horror. But I didn't know what it meant anymore. It didn't seem important. 


I just wanted to...I didn't even want to fall asleep. I was just...empty.

LARA

I think I'm going to die.

ROSE

(still overjoyed)

What?

LARA

(matter-of-fact)

I'm going to die.

VO LARA

But then...

A distant BARK.

VO LARA

Listen, I don't really go in for all that "we don't deserve dogs" stuff. We spent thousands of years specifically engineering dogs to be ideal human companions, and then act all shocked when they turn out to be, you know, excellent companions. It's silly. 

More barking and whining.

VO LARA

But still...when I -- when I heard that dog...it's like I knew the way home.

EXT. DEAD ZONE - CENTER - AS BEFORE

The real world WHOOSHES back in - as SODAPOP RUNS IN, barking up a storm.

LARA

Sodapop!

Sodapop runs up and licks Lara's face. Lara laughs, weakly.

LARA

Hey, buddy, where've you been?

Sodapop licks her face and shakes himself off.

VO LARA

I guess it's just...What do you do when you have nothing left? You hold onto what you love, right? Even if you can't quite remember what loving something feels like.

Deep growls from the monsters around them. 

Camille looms, ragged and monstrous.

LARA

Holy shit!

CAMILLE

I knew you would ruin this.

LARA

Camille -- please --

Sodapop GROWLS and BARKS. Rose rouses.

ROSE

Sodapop? What's wrong, baby-dog?

CAMILLE

God damn it!

Camille ATTACKS Lara. For real this time. 

LARA

Don't -- aagh!

Camille tackles her to the ground.

CAMILLE

We're so close to Oblivion. Only you -- only you are in the way.

Camille CHOKES Lara.

LARA

(choking)

Please -- Camille -- I can't breathe -- 

ROSE

Camille! Stop!

Sodapop growls and LUNGES.

CAMILLE

Get off of me, you stupid dog!

Sodapop cries.

ROSE

No! Where's that -- lantern --

Rose SLAMS the lantern into Camille's head. Camille falls with a THUD. Lara coughs and passes out.

CAMILLE

Rose...how could you...?

ROSE

Oblivion. Like a spider. Like a hole. The mouth of nothing.

Rose flicks a LIGHTER.

CAMILLE

What are you doing...?

ROSE

I'm lighting the lantern. Lara. I see it. I know what we need to do.

(stops)

Lara? Lara -- 

She runs to Lara.

ROSE

Lara, wake up!

She slaps at Lara's face gently. Impulsively, she kisses her. Lara wakes, coughing.

LARA

Did you -- did you kiss me?

ROSE

You wouldn't wake up, so I...thought I'd try it.

LARA

Like a fairy tale?

ROSE

Shut up. We don't have time.

LARA

Right. I think you need to burn it.

ROSE

(overlapping)

We have to burn it.

LARA

Yeah.

CAMILLE

No...no...

Something GROWLS in the woods. Sodapop barks and whines.

ROSE

It's okay, puppy. Lara, can you stand? We're going to have to run.

LARA

Yeah, I can, um. I'll just...yeah.

CAMILLE

Please -- you can't --

ROSE

I'm so sorry, Camille.

Rose throws the lantern onto the fungus. It SHATTERS. Fire EXPLODES.

CAMILLE

Noooo! No! It's spreading to all of them! Everything -- burning -- 

The cursed animals SCREAM and SHRIEK.

LARA

They're taking it through the network.

CAMILLE

It burns!

LARA

Nothing's touching you, Camille. But it will in a minute if we don't --

Camille growls and shrugs her off.

CAMILLE

Don't touch me!

ROSE

She's part of it now.

LARA

No, that's not a thing. Camille, come on. The fire's spreading.

CAMILLE

You ruined everything.

LARA

Look, we need to go now -- 

Camille growls again, vicious.

CAMILLE

I'll kill you!

She lunges. Lara staggers back.

ROSE

Lara, you can't help her. 

LARA

But --

ROSE

Lara. Fire. Run!

LARA

Right! Come on, Sodapop.

They run off into the forest. 

The fire WHOOSHES.

Camille COUGHS.

Two large FOOTSTEPS approach. 

CAMILLE

(whines)

It's burning! It's...burning...

(sniffs)

What...

(it hits.)

You.

Sasquatch growls, deep and menacing.

CAMILLE

I know you.

SASQUATCH

Hrmph.

CAMILLE

You shouldn't be here.

SASQUATCH

(defiant)

Grrrmph.

CAMILLE

Alright, then. Let's do this.

Sasquatch growls. Camille steels herself. 

Camille lets out a BATTLE CRY.

Sasquatch ROARS in return.

FADE TO:

INT. RADIO TRANSMISSION

The little jingle/music sting plays again.

ABE

Good morning and welcome back to W-K-C-H. I'm Abe Ramirez.

JAKE

Ahem.

ABE

(grudgingly)

And this is my co-host, Jake Talbott.

JAKE

Co-host? Really? You mean it, buddy?

ABE

Yeah, why not.

JAKE

Yessss.

ABE

Okay, well, we're just catching everyone up on the massive wildfire that --

JAKE

(radio voice)

Chaos. Terror. Smoke blankets the valley as a mysterious fire starts deep in the Mt. Hood National Forest.

ABE

Dude!

JAKE 

Firefighters were able to contain the blaze, but questions remain.

ABE

In addition, citizens are encouraged to check their homes for a virulent strain of mold.

JAKE

(triumphant)

That's right! It is not just me.

ABE 

But could the mold and fire be related? Martha Arberg --

JAKE 

Who, as we know, has her farm right on the edge of the affected part of the forest -- 

ABE

(with increasing irritation)

Martha Arberg reports that the lingering smoke isn't just the last embers of a fire going out. That fire is still burning. 

JAKE

The Forest Service has locked down the area, so nobody can get close to investigate.

ABE

Could it be a controlled burn? Waste disposal? We don't yet know how the fire started, why it's still going, and more importantly -- what's still up there. 

JAKE

Or inside your homes!

ABE (RADIO)

For the next three hours, we'll be taking your calls. If you have any information about what's happening up there --

JAKE (RADIO)

I think it's aliens.

ABE (RADIO)

Dude, you have got to stop interrupting me.

(beat)

Wait, what?

JAKE (RADIO)

Yeah, it's got to be aliens.

ABE (RADIO)

You don't think it's Sasquatch?

INT. HOSPITAL - DAY

Hospital sounds fade in.

The transmission continues over a speaker inside the room.

Terri paces back and forth.

JAKE (RADIO)

Are you kidding? No way Sasquatch would be involved in something like that.

ABE (RADIO)

But the protection of nature is like, his whole thing.

JAKE (RADIO)

Man, you will never get it. It's like this, alright? Sasquatch, yes, is like the preserver. But at the same time, he would never -- 

The radio clicks off.

TERRI

That's enough of that.

ROSE

Come on, Mom, it's the news.

TERRI

That is not news.

Rose chuckles.

Lara knocks softly on the door.

LARA

Hey. Can I...come in?

TERRI

(cold)

Lara.

LARA

Mayor Boone.

ROSE

Hey, Lara. Yeah, it's okay.

TERRI

(quietly)

Rose, honey...

ROSE

It's okay, Mom. 

Terri hesitates.

TERRI

I'll be outside.

LARA

I heard the nurse's station has one of those coffee pod machines. If you ask nicely, I bet --

TERRI

Excuse me.

She walks out.

Lara steps into the room.

LARA

Well, she still hates me.

ROSE

She's been through a lot.

LARA

Yeah.

Lara grabs a chair and sits.

LARA

How are you feeling? 

ROSE

I'm okay. They keep talking about scans and keeping me for observation, but I feel fine. How's your head?

LARA

Better. I'm over the worst of the concussion, so they're discharging me. No lingering effects from the -- from the forest.

ROSE

That's good.

Doctor Simmons knocks on the door.

SIMMONS

How's the patient?

LARA

Doctor Simmons?!

SIMMONS

(awkward)

Oh. Lara. Hello.

ROSE

It's okay. I'm feeling better.

LARA

You're not...seeing patients, are you?

SIMMONS

No. No, no. I'm on a bit of a sabbatical.

LARA

Oh.

SIMMONS

Yes. Seemed best. But I helped synthesize the treatment that Rose and a few of the others who inhaled the spores last night are getting.

LARA

(suspicious)

You did? Nobody told me about anything like that.

SIMMONS

Well, no. Your body seems to have cleared itself of them all on its own. I'd love to find out more about that, but -- 

(off Lara's look)

Ah, I suppose I should -- I'm going to go. The Sheriff is meeting me here. About Camille.

LARA

Have they found her?

SIMMONS

She survived the fire. That's all they know.

LARA

Oh.

ROSE

I'm so sorry, Doctor Simmons.

SIMMONS

It's not your fault. She...Camille does what she's going to do.

(sighs)

I'm assisting where I can, but...well, I suppose I should focus on my own recovery. It appears I had a bit of exposure. Might have been...affected.

LARA

Yeah.

SIMMONS

They're -- they're good at what they do. The search teams. And she...I'm sure she's fine. With treatment, we'll all be fine.

LARA

Yeah.

SIMMONS

You saw them, then. The spores?

ROSE

Yeah.

SIMMONS

Are any of them (still intact)?

LARA

(overlapping)

We burned them all.

SIMMONS

(surprised)

Oh. Well, I'm sure that's fine.

ROSE

What do you mean?

SIMMONS

Well, some species of fungi reproduce through forest fires. The flames actually release the spores from the soil, so they only fruit in burn zones.

(off their expressions)

But I'm sure it's fine. It's fine.

ROSE

Um...

SIMMONS

(clears throat)

Well, I was just stopping by to see how you were. I'll -- I'll go.

LARA

(to Rose)

She hasn't tried to examine you, has she?

ROSE

What? Why?

SIMMONS

(annoyed)

I'm not seeing patients. 

(sighs)

I hope you continue to improve.

ROSE

Thanks.

She leaves.

ROSE

What was that about?

LARA

Long story.

Beat.

ROSE

You know, Lara, I...I'm glad you were there last night.

LARA

Me too.

ROSE

Did you really see it? 

LARA

Hm?

ROSE

When we -- when the spores burst out. 

LARA

Why don't you tell me what you saw?

ROSE

It was...the most beautiful thing I've ever seen. The stars came down to the earth, these beautiful balls of dancing light. And they sang. Like, really sang. I could see the tendrils from the -- the mushrooms? Reaching up. And when they met the stars...it was like everything...it was peace. Perfect peace.

LARA

Hm.

ROSE

You didn't see that?

LARA

I...had a dream. But it was different.

ROSE

You didn't see the stars?

LARA

There was an ocean. I think. But no stars. And definitely no song.

ROSE

(disappointed)

Oh.

LARA

I'm sorry, Rose. I wish I...I don't know why you see dancing stars and I just see...emptiness. Mold spores and mushrooms.

ROSE

It went wrong, anyway. There was that one moment of bliss and then...you said something about dying, I think? And it fell apart. I had the most horrible feeling, like everything was just...falling out of me. It was like this tingling feeling, like every bit of me...my nerves were just...freezing fire. And the nothingness wasn't an embrace anymore. It was...

(shudders)

I'm glad. I'm glad we burned them all.

LARA

I'm sorry it didn't end the way you thought.

ROSE

Yeah. Me too.

(beat)

I can't believe you didn't see the stars. And you don't -- you didn't feel anything, either? That piece of something greater?

LARA

I think it's just who I am. It's why I can't...be the person for you.

ROSE

Lara...

LARA

It's okay.

A quiet moment.

ROSE

You know, my mom used to tell me this story, that her mom told to her. About the sun and the moon.

LARA

Yeah?

ROSE

Mm-hmm. She said in the beginning, the sun and the moon were strangers. The sun gave us light and heat, and the moon moved the tides and brought the rain. And the sun watched over the day, while the moon watched over the night. But at sunrise and sunset, they could see each other. Just for a moment. Across the sky. And over the years, they fell in love.

LARA

That's sweet.

ROSE

Yeah. They lived like that for a long time, catching glimpses between day and night, until one day...they tried to be together. But when the sun and moon came together, the earth lost them both. 

LARA

An eclipse.

ROSE

Everything went dark and cold. The tides wouldn't move. And soon, the plants and animals began to die. 

LARA

Hm.

ROSE

So the sun and the moon agreed to stay apart. They leave messages for each other in the clouds, catch glimpses when one rises or sets. And once in a while, after years of isolation, they come together. But only ever for a moment.

LARA

That's...sad.

ROSE

The sun and the moon love each other. But they love the rest of us more. That's what my mom always said.

LARA

It's a good story.

ROSE

Yeah.

Little doggy claws tick-tack on the floor in the hall, and then SODAPOP bursts into the room.

ROSE

Sodapop! 

LARA

Hey, buddy!

Terri follows on his heels.

TERRI

Look what I found.

Sodapop jumps up on the bed and crawls all over Rose.

ROSE

Oh, hi, baby. What a good boy. Oh, someone cut your hair!

TERRI

He was a mess after all that time in the woods. And your cousin's ex-girlfriend grooms dogs, so...

A NURSE pokes her head in.

NURSE

Ma'am, you can't have dogs in here.

TERRI

It's just for a moment.

LARA

Do you know who this is? She's the mayor of Charity.

NURSE

What?

LARA

Charity? It's, like, twenty minutes from here!

NURSE

(dubious)

Well, it's hospital policy.

TERRI

Alright. Give us just a minute.

NURSE

One minute.

The nurse leaves.

LARA

They don't mess around here.

Sodapop rushes over to her.

LARA

Oh! Hey, Sodapop. I'm so happy you came back, bud. What a good boy.

Lara stands.

LARA

Well. I should probably get out of your way.

TERRI

Thank you.

ROSE

Will you take care of him? Of Sodapop?

LARA

Do you mean...?

ROSE

(surprise)

You'll take him home, won't you?

LARA

Are you sure? He -- you know, he was always your dog.

ROSE

He's your dog, Lara. 

LARA

I don't know about that. I mean, look at him, he...

(realizes)

He's following me.

ROSE

See?

LARA

He doesn't do that.

TERRI

Apparently, he does. 

LARA

Huh. Come on, buddy.

Sodapop makes happy dog noises.

Lara walks to the door. She pauses.

LARA

Goodbye, Rose.

ROSE

Goodbye, Lara.

Nurse returns.

NURSE

Ma'am? I really need you to remove that dog.

LARA

I've got him. 

(picks up Sodapop)

Come on, buddy, let's go. 

Sodapop licks her face.

Lara walks out.

TERRI

(to Rose)

How are you feeling?

ROSE

(for the hundredth time)

I'm fine, Mom.

TERRI

Good. Oh, did I tell you about Sheriff Tate? Apparently when they started on his mold abatement, they found a bunch of gold.

ROSE

What?

TERRI

Yeah. In the walls, under the floorboards. They were just sitting on it the whole time. He is pretty happy.

ROSE

I bet.

The scene fades out.

INT. LARA'S CAR

Lara gets into the driver seat. She shuts the car door behind her and buckles her seatbelt. Sodapop whines in the backseat.

LARA

Alright, buddy, you ready? We can go see Shayne. Run around on the farm. Sound good?

Sodapop whines.

LARA

Okay. Let me just plug in my phone...

The phone BEEPS.

PHONE

You have 216 new messages.

LARA

Great.

She sighs and puts the car into gear.

LARA

Just great.

(to phone)

Play messages.

PHONE

First message sent Wednesday...

FADE OUT

RECORDING

Recording clicks on, as with Lara's VO.

LARA

So that's...what happened. I think.

THERAPIST

Hmm. What do you think happened? I mean, really?

LARA

I think...you can love someone and just not be right for them, you know? The moon chases the sun. And as long as it never catches it, everything's okay. As long as it's just close enough to -- to reflect it, once in a while. So even if love Rose...maybe I'll always...

You know, in tarot the Moon represents illusion, deception, but also unconscious knowledge. Rose reads Tarot. I mean, I don't think that's what meant, but.

You can love the sun, and still recognize that it needs to stay...where it is.

(beat)

Or, sorry -- did you mean the Bigfoot stuff? Yeah, no, there's no Bigfoot. I had a concussion.

INT. MYSTERIOUS ROOM

High-tech machinery whirs. Recording continues from a small speaker.

VO LARA

There are species of fungus that can survive in space. Like, not just a vacuum, but actual space. So maybe when they had that meteor shower, a fragment came through with...something weird on it. Or maybe there was a weird strain there all along, down under the dirt. Rose got exposed, and with her existing issues...and you  know, small towns can get this kind of mass hysteria. So I guess it was a combination of things. And I just...got in the middle somehow.

THERAPIST (V.O.)

Hm.

VO LARA

So anyway, yeah. That's my story. That's why I came to a psychotherapist.

THERAPIST (V.O.)

Mm-hmm. 

(beat)

I think you should see me twice a week.

VO LARA

Yeah. That makes sense.

The recording clicks off.

The same voice as the therapist speaks, but very different now. 

ASSISTANT

So what do you think?

A MAN, deep voice, aggressively cheerful, replies.

MAN

It's fascinating. She's coming here?

ASSISTANT

She's on her way.

MAN

And she doesn't know we're here?

ASSISTANT

She thinks she's visiting her mother.

MAN

Good. Good.

ASSISTANT

You seem pleased.

MAN

Well, I suppose there is a reason they call me The Grinning Man.

A VERY DRAMATIC MUSICAL STING plays.

END OF EPISODE

OUTRO

Music: "I Will Fool You," by Bothnia

Whaaaaat?!? Guys! I guess you’ll have to come back for season two!

I just want to thank you for sticking around through the season one finale. It’s been a wild time. Did I think it would take me TWO YEARS to release one season of this show? No, my friends, I did not. But life happens, and here we are.

Completing these last five episodes was only possible because of Patreon, Zencastr, the Saunders Family, and the ongoing support of all you lovely people.

A special thank you to our Patreon supporters, including new Patrons Timothy Diaz, Adam Alexander, Rafael Fuentes, and Debbie (who I’m pretty sure is my mom. Hi, Mom.) Patreon supporters get all episodes early, as well as access to behind-the-scenes information, updates, bonus content, and more. To find out more or join in yourself, go to Patreon.com/believerpodcast. That’s P-A-T-R-E-O-N dot com, slash believerpodcast.

Remote recording during the pandemic has only been possible because of our sponsor, Zencastr. When we lost access to in-person recording, I really thought we were done-for. But Zencastr made the transition to remote recording really easy. It’s browser-based, so everyone could log in from home, and it records high-quality audio on separate tracks, which is something you don’t get from general internet-video-call services. To learn more and get 30% off a pro plan, use the referral link in the show notes or enter promo code “believer” at checkout.

This episode features the voice talents of Mara Hernandez, Sara Gorsky, Miles Langerman, Jason Markoff, Rosa Delgado, Samantha Ronceros, Jillian Cardillo, Kip Parshall, Duke Parshall, Seth Ellsworth, Julie Saunders, and Archie. The Grinning Man was played by Javier Ronceros (who killed it).

This episode was written and directed by Julie Saunders, with sound design by Ester Ellis. Additional sound design assistance by Andrew Wardlaw. Andrew runs the Lamplight Radio Play, which adapts original dark fiction stories into audio. If you want to hear an episode directed by me, check out episode 11, “The Elevator Girl." Ester Ellis is the creator of Station Blue, and provides sound design for Dungeons and Daddies, Hit the Bricks, Arden, and much more. 

Season two will begin production later this year! In the meantime, if you experience an unexpected head injury -- or even, really, an expected head injury -- you should get that checked out. It’s pretty serious, even if you don’t see Bigfoot. (Although if you do see Bigfoot, will you tell him hi from me? He’s not returning my calls.)

Bye now.

TRANSCRIPT: 1.06 - The Rules

A PDF version of this transcript is available here.

CONTENT NOTES: Cults, imprisonment, serious illness, hallucinations


Hello, my lovely Patrons. I just wanted to thank you all for

sticking with us through this long hiatus. It’s been a tough

year for many of us out there, and your grace and support

has meant the world. We went off-schedule for Halloween, but

from now on release days will be Tuesday of each week.

You’ll get each of those one week in advance here on

Patreon.

Now, please enjoy, Believer, Season One, Episode Six: The

Rules.

LARA'S INBOX

VOICEMAIL

You have unheard messages. First

message.

Rustling from the other end. Camille speaks to someone away

from the phone.

CAMILLE

Nothing that time either? Well, then

where is her phone? It wasn't on her.

Maybe we should --

It cuts off.

BEEP.

VOICEMAIL

Next message.

COMPUTER VOICE

Lara Campbell. You are in danger.

Lara Campbell. You are in --

BEEP.

VOICEMAIL

End of messages.

TITLES

NARRATOR

Believer. Episode Six. The Rules.

INT. BASEMENT - HOLDING ROOM - DAY

A small, concrete room. Lara stirs on an air mattress on the

floor.

CAMILLE

Good morning, Lara.

Lara jumps.

LARA

Gah! Ugh...

CAMILLE

(sympathetic)

How's your head?

LARA

Pounding.

CAMILLE

Yeah, you probably have a pretty bad

hangover. There's water and pills by

the bed if you want any. Yeah, there.

LARA

I'm not taking medicine from you.

CAMILLE

(rolling her eyes)

It's just aspirin, Lara.

LARA

Uh-huh.

CAMILLE

Do you want me to take it first?

Here.

She grabs the pill bottle, sticks some pills in her mouth.

CAMILLE

See?

LARA

Well, now it has your spit on it.

CAMILLE

Get more from the bottle.

She hands the bottle to Lara. Lara sets it down.

LARA

I'm good.

CAMILLE

At least drink some water. It's

filtered.

2.

LARA

I'm good.

Camille sighs.

CAMILLE

This isn't how I wanted to do this,

you know.

LARA

The kidnapping, you mean?

CAMILLE

It's not kidnapping.

LARA

You drugged me and took me to a...

(looks around)

Concrete room. Is this your basement?

Does your mom know about this?

(yells)

Hey! Doctor Simmons!

Camille rushes to shush her.

CAMILLE

Shhh!

LARA

Don't touch me!

CAMILLE

Lara, I'm a friend.

LARA

That's what I thought before the

kidnapping.

CAMILLE

I didn't mean to hurt you. I just had

to get you out of the Sanctum.

LARA

Reverend Boone's old church?

CAMILLE

It used to be a church. Now it's

something...more.

LARA

Oh, god.

3.

CAMILLE

Only Reverend Boone and his daughter

are allowed to go there. I've been

asking, but -- it's very sacred. And

dangerous. It takes weeks of study

and meditation to be ready.

LARA

Because it's full of psychedelic

substances, and if you don't

brainwash yourself first you might

have the wrong visions?

Camille is offended, cold.

CAMILLE

This was a mistake.

LARA

Like I was saying.

CAMILLE

(realization sets in)

You're not ready to be here.

(panic)

Oh, god. Oh no. What did I do?

LARA

Camille? Camille, it's okay. You can

just let me go.

CAMILLE

No, no, no. I need to think.

LARA

Camille...

CAMILLE

Sit here. I'll be -- I'll be right

back.

LARA

Camille, wait!

CAMILLE

Drink some water.

She hurries out the door, shuts it behind her. The CLICK of

a lock.

LARA

Camille. Camille!

4.

She tries the door, then pounds on it. No response.

LARA

Can someone at least check on my dog?

No response.

Lara sits down on the air mattress.

LARA

Maybe Jake will notice I'm gone.

She takes a breath.

LARA

(to herself)

Now, where am I?

LARA (V.O.)

I know, right? Actual cult

kidnapping. It's like there was some

kind of Creepy Small Town checklist

this place was working from.

Lara walks around the room.

LARA (V.O.)

Small concrete room. Underground. It

was probably supposed to be a storage

closet. One window up high...

Lara jumps. Grunts. No dice.

LARA (V.O.)

Too high to reach, naturally. But the

really interesting thing...

Lara stops. Touches the wall.

LARA

Wait. What's that?

LARA (V.O.)

All over the room -- the floor, the

walls -- there were these scratch

marks. Long, shallow grooves crossing

every surface. At first it seemed

random, but...

She moves the air mattress.

LARA

Wow.

5.

LARA (V.O.)

It was a pattern. I think. The lines

converged, or maybe began, in this...

tangle in the middle of the room. The

lines would loop out and away from

each other, then converge again, so

many layered at these convergence

points that it almost became a

circle, or a star. And then away

again. The way that they split, and

twisted, and grew, it made me think

of...it's hard to explain, but it

wasn't random. It seemed...organic.

Like Rose's room, like the church,

but so much more...deliberate.

Lara rubs and scratches the floor, examining it.

LARA (V.O.)

I mean, it was carved into the floor.

Someone was determined. Someone...

Through the ceiling, a soft, rhythmic BEEPING sound.

LARA

What is that...beeping?

BEEP. BEEP. BEEP.

Suddenly, a KNOCK at the door.

LARA

Um. Hello?

No response.

Beep. Beep. KNOCK.

LARA

Who's doing that?

Beep. Beep. Knock-knock-knock.

LARA

You guys locked it from the ouside,

remember? I can't really --

A smattering of KNOCKS, from all directions this time.

Something TAPS on the window.

LARA

Is someone out there? I could really

use some...help...

6.

She trails off as a CACOPHONY OF KNOCKS breaks out, coming

from everywhere. Something THUMPS hard on the door, like a

large, wet body throwing itself against it.

LARA

Oh, no. Not again. No, no, no.

Similar THUMPS against the window this time, like something

trying to break through. Lara covers her ears.

The noise CRESCENDOS louder, the BEEPING getting loud,

insistent. Lara moans, unable to block it out.

The sound rises and rises until --

THE DOOR OPENS.

CAMILLE

Lara?

All sounds stop.

Except the distant, muffled BEEP, BEEP, BEEP...

Camille takes a few steps into the room.

CAMILLE

Lara? Are you okay?

Lara flinches away.

LARA

I'm fine!

CAMILLE

Oh. Sorry. Well, I was just checking.

She turns to leave.

LARA

Camille. Wait.

Camille stops.

CAMILLE

What?

LARA

This is the Boone House, isn't it?

CAMILLE

How did you...?

7.

LARA (V.O.)

The beeping. Reverend Boone's heart

monitor.

LARA

I can...feel it.

CAMILLE

What do you feel, Lara?

LARA

These marks...did Rose make them?

CAMILLE

Yes. Rose was here when the visions

overtook her. You can feel that?

LARA

Do you think I can't sense Rose's

presence? There's so much of her

here.

CAMILLE

She locked herself in here for three

days, a few months ago. When she came

out...that's when everything began.

LARA (V.O.)

Oh my god.

LARA

The lines. Reaching. In the dirt.

CAMILLE

I knew you could sense her. That's

what I was trying to -- you were

supposed to lead me to Rose and then

just go home. I didn't realize that

Oblivion would reach you, too.

LARA

Oblivion. Is that what you call it?

CAMILLE

Yes.

LARA (V.O.)

There was only one way out of there.

LARA

I see its signs everywhere. In my

dreams, on the walls, in the Sanctum.

8.

CAMILLE

In the Sanctum? You had a vision?

What did you see?

LARA

It was...indescribable. Camille. Help

me understand. What do you worship

here?

CAMILLE

The hand of God.

LARA

Yes. Of course.

CAMILLE

You can feel it, right? What do you

feel?

LARA

I...I guess I feel...

CAMILLE

Nothing.

LARA

What?

CAMILLE

The sweet release of nothingness.

LARA

Yes. I feel...nothing. Absolutely

nothing.

Camille sighs, happy, relieved.

CAMILLE

I think you should meet the others.

LARA

I'd love that.

CAMILLE

Come on.

Camille opens the door. They walk out.

INT. BASEMENT - MAIN ROOM - DAY

A cozy hangout room. A few STRANGERS sit around, talking

quietly. They go silent when Camille and Lara walk in.

9.

CAMILLE

Everyone? This is Lara.

LARA

Hi.

Silence. They are not impressed.

LARA (V.O.)

It was a pretty typical basement

hangout room. Couches, TV, stereo.

Pretty popular when Rose was in high

school, I bet. There were probably

about a dozen people in there. All of

them staring at me.

CAMILLE

Lara has seen the Nothingness.

Excited murmuring from the others.

CAMILLE

(to Lara)

Come on, let's sit over here.

LARA

Okay.

LARA (V.O.)

So I'm not a cult expert, but I know

a few things. Rule One: never tell

someone who's in a cult that they're

in a cult. It'll just make them mad.

LARA

So your group seems...friendly.

CAMILLE

We try to be welcoming. It's hard

because, you know, it's so easy to

misunderstand.

LARA (V.O.)

Rule Two: Everyone outside the cult

is bad. Not just confused, but

actively evil. So try to be an

insider.

LARA

It's so simple, though. They must not

understand.

10.

CAMILLE

You know, some people just have a

really hard time with new ideas.

LARA

I've noticed that.

CAMILLE

You know, people think that these

things -- suffering, division -- are

just part of life.

LARA

So that's what the Nothingness is,

then? The end of suffering?

CAMILLE

Kind of. But it's more than that.

See, pain, loneliness, isolation --

those are symptoms. They mean that

something's wrong. Oh, Reverend Boone

explains it better than I can. But

we're not trying to end the world. We

just want it to work the way it's

supposed to.

LARA

And this reaching...thing --

CAMILLE

The hand of God.

LARA

It can do that.

CAMILLE

That's all it wants.

A beat. They look around.

LARA

Okay, well, this has been amazing.

But I really think I should go check

on my dog.

CAMILLE

Wait -- Lara --

A door opens and closes across the room.

11.

LARA

He knows Rose better than anyone, so

I'll just go him and come right back.

Now if you'll excuse me --

TERRI

I wouldn't recommend that.

Where did Mayor Terri come from? Well, she's here now.

LARA

Mayor Boone!

TERRI

They actually call me The Conductor

here.

LARA

Sure. Of course.

TERRI

Camille mentioned that we had a new

inductee who's already had her first

vision of the Hand of God. I figured

it was probably you.

LARA

Yep. That's me.

TERRI

(niceness laced with

malice)

Well, isn't that lovely.

LARA

Listen, um...

TERRI

The Reverend would like to greet you

personally.

The STRANGERS mumble, surprised excitement.

CAMILLE

The Reverend? Really? But I just

started teaching her the basics.

TERRI

It was his personal request.

CAMILLE

Of course. Lara, this is quite an

honor.

12.

LARA

I -- yeah. I'm honored.

LARA (V.O.)

Rule three: Never question the

leader. Ever.

TERRI

I'll take her upstairs, Camille. Why

don't all of you here prepare for a

vision ceremony? It's been a while,

after all.

CAMILLE

Sure, Mayor -- um, Madam Conductor.

TERRI

Just Conductor is plenty, Camille.

CAMILLE

Yes, ma'am -- uh, Conductor.

Terri sighs.

TERRI

Come on.

INT. BOONE HOUSE - MOMENTS LATER

FADE IN on Mitchell Boone's various medical machinery.

Terri walks over to check on Mitchell.

TERRI

He's asleep. Good. I swear this is

the only room in the house where

those people can't overhear us.

LARA

Um, you can hear the beeping

downstairs, actually.

TERRI

So talk more quietly than the

beeping.

LARA

Right, um...sorry, what's going on?

13.

TERRI

We are going to wait until the

'shrooms kick in downstairs, and then

you are going to go very far away

from here.

LARA

So all this -- Oblivion, the Hand of

God, resetting the world -- you don't

actually believe any of it.

TERRI

Here's what I know, Lara. You cannot

find Rose.

On "Rose," Mitchell's heart monitor picks up.

LARA

What?

TERRI

Rose is gone. She needs to stay gone.

And you need to get away from here.

LARA

I don't understand --

Mitchell GASPS, waking with a start.

MITCHELL

(rasps)

The Sacred Rose! My Rose -- my Rose

in the scorched, packed earth.

He coughs.

TERRI

Mitchell -- Mitchell, stay calm.

Please, honey, you're confused.

MITCHELL

You. You.

He grabs Lara's arm.

LARA

Hey, whoa!

MITCHELL

You will find my Rose. You will

bring...the one...salvation...

14.

TERRI

Mitchell, do you hear me? Honey, you

need to let go of Rose's friend.

MITCHELL

Fore...fore-runner...the herald...I

didn't see it, but...

He coughs.

TERRI

Shh, shh...

LARA

Sir, I think that you should rest.

MITCHELL

No. No! She is so close...you must...

please...

He groans, then falls asleep again.

TERRI

Mitchell. Mitchell?

His machines stabilize.

LARA

Is he okay?

TERRI

He's sleeping. He's not...he gets

confused, lately.

LARA

Terri...

TERRI

Time to go.

LARA

Oh. Okay.

TERRI

Down the hall, out the door. Run.

Now.

LARA

If you --

TERRI

Now!

15.

LARA

Okay. Okay.

Lara runs out.

Terri strokes Mitchell's hair.

TERRI

Just a few more days, Mitchell.

You'll see.

EXT. BOONE HOUSE - EVENING

It's getting toward evening. Crickets have started to sing.

Lara slips out the front door.

She runs across the grass...then suddenly TRIPS and falls.

LARA

Ah!

And that's enough. The basement door swings open and Camille

appears.

CAMILLE

Lara? The rest of the group's down

here.

LARA

Oh, uh...

CAMILLE

You weren't leaving, were you? I

thought you enjoyed it here.

LARA

I do! I just -- I got a feeling. A

vision. So I need to go now.

CAMILLE

Is it Rose? I'll come with you!

LARA

No! Uhh...I need to go alone.

CAMILLE

(suddenly serious)

I should really come with you.

LARA

But if you meditate here...

16.

CAMILLE

No, Lara. I'm coming with you.

Sorry -- we're coming with you.

Two other cult members, MARCUS and JUNIPER come up the

basement stairs

MARCUS

Hey.

JUNIPER

Hi.

LARA

Right.

(to herself)

Lot of strength training in this

group, I guess.

CAMILLE

What was that?

LARA

Nothing. Let's, uh, let's go.

CAMILLE

(brightly)

Great! Come on, guys.

LARA (V.O.)

Cult rule four: getting out is a lot

harder than getting in. They make

sure of that.

Camille and the others catch up to Lara.

LARA

I was just going into the woods.

Right here.

CAMILLE

Sounds good. Marcus and Juniper love

hiking. They work out a lot.

LARA

That's great.

They walk off into the woods.

17.

LARA'S INBOX

VOICEMAIL

Next message.

BEEP.

SIMMONS

This is Doctor Penelope Simmons,

General Practitioner, calling once

again to try to make an appointment.

Miss Campbell, there is a serious

infection emerging in the town of

Charity, Oregon. Source and

progression of the disease remains

unclear, but your resistance could be

key to determining next steps. Please

be on the lookout for symptoms such

as visual or auditory hallucinations,

difficulty breathing, or anything

that...

(beat)

Is that...no. It can't be.

(shakes it off)

Um. As I was saying, I...

(beat)

Hello? I'm not currently seeing

patients. If you don't have an

appointment...Richard? Is that you?

It can't be. You're dead.

(beat)

Richard, what are you -- Richard,

don't touch that. No, it's not

Richard. You're not Richard! It's

nothing. Nothing.

(to the vision)

Go away! You hear me? You are

nothing! Nothing! Nothing, nothing,

noth --

BEEP.

VOICEMAIL

Message deleted.

EXT. FOREST - NIGHT

Forest sounds. It's a quiet night. Rain falls softly on the

fir trees.

Lara, Camille, Marcus, and Juniper walk through the brush.

18.

CAMILLE

Are we getting close?

LARA

I think so.

LARA (V.O.)

I had this idea that once we got out

into the woods, I could just lose

them. It was getting dark, and the

rain and fog had already moved in. I

stepped off the path so there wasn't

an obvious way to go. It should've

been easy, right?

CAMILLE

Whoa, it is dark out here. I feel

like I can barely see at all. Lara,

I'm gonna hold onto your arm, okay?

LARA

Oh, um --

CAMILLE

Marcus, why don't you grab her other

arm? Juniper, you stay close. It's

slippery out here.

Marcus GRUNTS acknowledgment.

LARA

(to herself)

Damn it.

CAMILLE

What was that?

LARA

Almost there!

LARA (V.O.)

I forgot about Rule Five: don't

assume cult members are stupid. Cults

really like smart, well-educated

people, actually. People don't join

cults because they don't know better;

they do it because the cult has

something they need at that moment. I

wonder what that first thing was for

Camille.

19.

CAMILLE

I guess when I heard Reverend

Mitchell's message I was just, you

know, I was really lost. Like, here I

am back in my home town, this place I

swore I'd get away from, I'm just

getting away from this horrific

relationship, and it just seemed like

there was no purpose to any of it. I

mean, this guy I was with at school

was just...I mean, I won't get into

it, but I was pretty broken.

LARA

Uh-huh.

CAMILLE

And it's like, how does a loving God

create a person like that, and then

not even warn me that I'm in his

path? It just seemed senseless. But

then...

Sound of a dog ID TAG AGAINST A COLLAR.

LARA

Shhh!

CAMILLE

What? Are we there?

LARA

Do you hear that?

Silence.

CAMILLE

Hear what?

A dog BARKS.

LARA

SodaPop!

Lara shakes off Marcus and breaks into a run.

CAMILLE

Lara -- wait!

The others chase after Lara.

LARA

SodaPop! Come here --

20.

(she stops)

Buddy...

She trails off. Camille and the others catch up. They stop.

They gasp.

CAMILLE

It's her.

SodaPop whines happily.

Rose steps forward.

ROSE

Hello, Lara.

LARA

Hi...Rose.

BUMP BUMP BUHHHH.

END OF EPISODE

Thank you for listening to Believer. We’re so excited to be

back. Your support has meant the world over the last year,

and I want to thank everyone who’s sent messages or told

friends about the show. I can’t tell you how much it

mattered during this difficult time away. If you want to get

in touch, you can follow the show on Twitter, Instagram, or

Facebook at Believerpod or send us an email at

believerpod@gmail.com. For transcripts, cast and crew

information, and to support the show, go to

BelieverPodcast.com.

Episodes will release every other Tuesday until the end of

the season. Patreon supporters receive each episode one week

early, along with other extras and behind-the-scenes

information. Find out more at Patreon.com/BelieverPodcast

This episode was written and directed by Julie Saunders and

features the voice talents of Sara Gorsky, Rosa Delgado,

David Pinion, Samantha Ronceros, Mara Hernandez, Seth

Ellsworth, Julie Saunders, and Archie. Sound design by Julie

Saunders and Chad Ellis.

Speaking of voice acting by Rosa Delgado, our pod-cousins at

Elaine’s Cooking For the Soul have just returned with season

two! Rosa stars as the titular Elaine and even wrote one of

the episodes this season, so you definitely want to check

that out. Stick around for their trailer.

21.

Until next time, if you see strange shapes from the corners

of your eyes, or children with unnaturally dark eyes come

knocking at your door…don’t worry, it’s probably just trickor-

treaters. It is Halloween, after all. (But still, don’t

invite them inside.)

22.

TRANSCRIPT: 1.05 - Squatch Talk

A PDF version of this transcript is available here.

INTRO

Believer Theme song plays.

NARRATOR Believer. Episode 5. Stay tuned after this episode for some important announcements.

INT. JAKE'S HOUSE - DAY

Heavy Metal PODCAST MUSIC plays. JAKE sits across the kitchen table from ABE RAMIREZ. Abe is a conspiracy theorist like Jake, but the techie kind. He is cool and serious where Jake is enthusiastic and passionate.

JAKE Hello and welcome to SQUATCH TALK, broadcasting from the heart of the Oregon Bigfoot Highway. We're here to discuss the news and information about our most mysterious neighbor, Sasquatch. I'm Jake Talbott, and this is my co-host --

ABE We'll see.

JAKE Interim co-host --

ABE Guest for this episode --

JAKE Abe Ramirez!

ABE Yo.

JAKE Now, citizens of Charity know Abe from the local public access station --

ABE W-K-C-H, Charity's only local public radio.

JAKE What you may not know about Abe is that he's also one of the region's foremost experts on paranormal events.

ABE The truth is out there, folks.

JAKE Alright, let's get to the main topic: Sasquatch. Bigfoot.

ABE Skunk Ape.

JAKE Gigantopithecus.

ABE El Sisimite.

JAKE They have Bigfoot in Mexico?

ABE I don't know. I'm Guatemalan.

JAKE Right. But, uh, you said you had some recordings you wanted to share?

ABE Yeah. As your listeners may know, my show on W-K-C-H has an open inbox policy, so anyone can call with tips and we might choose to explore them on air.

JAKE That's how you found that big story on the Farmer's Market price-fixing, right?

ABE Yeah, that was a good one. But I also get a lot of calls that are more...difficult to authenticate.

JAKE 'Squatchy, you might say.

ABE I...might say that. Anyway, I thought I'd play them for you and get your take.

JAKE Please! Let's hear it!

ABE Alright. (clicking on laptop) Let's start with...this one.

Beedle-oop! The recording starts.

BILL (on recording) Hey, this is Bill [BLEEP]. I've been listening to your show and, uh, just wondered if you've heard anything like this. See, I was backpacking up around Eagle Creek about two weeks ago. About my third day out there, I was up real early in the morning and I heard this...knocking. Not at my tent, more like out in the trees. Someone was knocking the branches together. Well, I figured it was some kids out screwing around, but it was just strange enough that I thought I'd check it out. So I shouted, you know, "Hey! You kids! Quiet down out there!" That kind of thing. And then...then it got weird. See, there was this crashing. Like something big breaking through the brush. Real big. Mowing down everything in its path. Coming toward me. I kind of froze, you know, not sure what to do? But as it got closer...the smell. Bad smell. Real bad. Like sulfur mixed with feces. Real bad. And that kind of shook me loose, you know, so I took cover behind a boulder nearby. And just as it crashed out of the woods, it made this noise -- like a, like a roar. Kind of a lion mixed with like a, like an elephant. Just real loud. And then it was just...gone. Now, I didn't see what it was. It was gone when I came out. But my whole tent and my camp stove were thrown over. And -- you know, we don't get a lot of bears here, but I know bears. It wasn't a bear. Anyway, just wondered if you heard about an escaped animal? Maybe from the zoo or something? Thought I'd mention it. Because this thing, it was real big, real smelly, real aggressive. Seems like you'd warn people. Okay, that's it. Thanks!

Beedle-boop. The recording stops.

JAKE Yeah, that's a 'Squatch.

ABE You're sure?

JAKE Oh yeah. Classic Sasquatch encounter.

ABE In Eagle Creek?

JAKE Oh, well, Sasquatch have got huge territories. And make no mistake, they are territorial. That knocking Bill heard? That's how they communicate.

ABE To other Bigfoots. Bigfeet.

JAKE They take two big branches, right? And they just slam them together. I see it all the time on my Sasquatch Trail.

ABE You see them? Sasquatches?

JAKE No, I see the branches.

ABE Ah.

JAKE Trust me, big tree branches don't just fall. Not on each other. Not, you know, perpendicular. It's Sasquatch, every time.

ABE So why didn't this Sasquatch stick around? It just ran through.

JAKE Oh, well, they don't stick around long. Your average Bigfoot encounter is only about 10 seconds. They're shy animals. My guess, this one heard Bill yelling, thought he was a rival male, and just made a quick territorial display. Just enough to scare him off.

ABE A warning.

JAKE Exactly. This is why you always approach the Sasquatch with respect. Talk quietly. Leave an apple for them to find. That's how you gain their trust.

ABE How long have you been working on the Sasquatch out by your place, Jake?

JAKE Oh, we've been on good terms for a few years now. It started with just the one, but now there's a whole clan that comes around. They're beautiful creatures.

ABE You've seen them?

JAKE Well, no. But they take the apples. That's how you know. When the apples are gone.

ABE Okay, well, here's a listener question you can maybe answer, as the local expert.

JAKE Sure.

Beedle-oop! Another recording.

BENNIE Hey, listen, Abe, I want you to find out what the aliens are doing with the Sasquatch around here. You know they've been going together lately. Every time you see a UFO, there's another damn Sasquatch. It's an infestation! This is the kind of stuff your show should look at, you know. I've been listening for a year now, and some of the topics you get into are really pretty useless. But this --

Bloop. It cuts off.

ABE That's enough of that.

JAKE You know, your show should focus on more of this stuff, Abe.

ABE That's what your show is for.

JAKE Man, there are things going on out here that the public just has no idea about.

ABE The government is hacking our phones, and you want me to talk about a hairy man in the woods? Come on, man. (beat) But this connection between Sasquatch and aliens -- that's interesting.

JAKE It all comes back to aliens with you.

ABE No, man, I looked into it. Sasquatch encounters are highly correlated with UFO sightings.

JAKE Sasquatch is not an alien.

ABE But could he have been created by aliens? Maybe the same ones who created us?

JAKE Come on, man.

ABE No, really -- hairless skin? Weak teeth and claws? Big, heavy head we hold far from the ground? Why? You really think those are the product of natural selection? Survival of the fittest?

JAKE Okay, well, you have a point.

ABE Of course I do, man.

JAKE So what, a race of extraterrestrial Sasquatches came down to earth and made humans for...some reason?

ABE No, no. That would be silly. Sasquatch was an earlier experiment.

JAKE To do what?

ABE A slave race. Think about it, they are huge, hardy --

JAKE Surprisingly intelligent.

ABE Clearly resilient, to thrive in secret this long.

JAKE So why move on to humans?

ABE Because, man: humans are easier to control. They both make "whoa" type noises -- this blows Jake's mind.

JAKE Sasquatch is not an alien, though.

ABE No, no, he protects us from the aliens. He turned on them. So whenever they try to come back, Sasquatch shows up.

JAKE I don't know, man...

Abe clicks around on his laptop.

ABE Here. Try this one. You'll see. There's more to Bigfoot than meets the eye.

JAKE Alright.

Beedle-oop! Recording starts.

SHEILA Listen, uh, Abe. I was driving down Highway 224, just coming back from Estacada and uh...

JAKE Heavily wooded area.

ABE Shh! Listen.

SHEILA There's just something kind of...weird out there. So I was driving along, and it was getting dark, you know? And I see this elk. In the road. Just one bull elk, all by himself. And he's standing there just...staring at me. I flashed my lights, I honked the horn, but this thing just would. not. move.

JAKE I don't hear any Sasquatch.

ABE She's getting to it!

SHEILA And I think there was something up with it because it had this, well, I could swear it was blood. All around its mouth. On its teeth. Anyway, I thought maybe it was blinded, you know, by the headlights, so I shut them off, and that's when...it happened. I heard this...sound. Like a cry, or a call. Maybe a whistle? And this elk, he looks up, toward the sound. And he blinks, and he sniffs twice, and then he just...falls over. And I'm so surprised I just, I started to get out of the car, like, to see if it was okay? And then this...dark thing came. Not dark like, I mean, it was night, but darker than that. Like I've never seen anything so... But it was walking, I think. It came out of the woods, this huge, black...thing. And it bent down over the elk and then it...then it was just...gone. The elk, the thing, the...I blinked, and I was just standing on an empty road, headlights on, horn blaring. And since then I can't -- it's like I can't get it out of my head. Look, Abe, I know it sounds crazy, but I wasn't seeing things. It happened. There's something out there, and I just think maybe you should -- I don't know. I wanted you to know. Don't call me back.

Bleep-bloop. The recording ends. A beat.

ABE So?

JAKE Hm?

ABE Is that Bigfoot?

Jake seems confused, disoriented.

JAKE That, uh, you know, that one, uh, I don't think I got that.

ABE Like you don't know what it is, or...?

JAKE No, like, it didn't play.

ABE What? No, man, I played that whole thing.

JAKE (overlapping) Yeah, I don't, uh, I don't know. Maybe something's wrong with your computer.

ABE There's nothing wrong with the computer, Jake. You know I take care of my rig.

JAKE I don't know. I gotta get a drink.

ABE Oh, you have water right here --

JAKE I gotta get a drink.

Jake stands up and walks away.

ABE Uh...okay. Are we just gonna edit this part out, or...?

A brief pause. Abe's chair moves, he turns away from the mic toward Jake.

ABE Jake? Are you...

Suddenly, the laptop emits loud static. Then the sound of Rose laughing breaks in.

ABE What the -- ?

The static glitches and pops.

ABE How is this happening?

Abe clicks a few buttons. It shocks him.

ABE Ow!

ROSE Over here! I'm over heeere...

ABE Jake! You seeing this?

ROSE Hello? Hello? (more pops) It's okay. I'll see you soon.

Static and pops. Rose laughs again. The message ends.

ABE Dude...this is fucked.

Jake comes back from the kitchen.

JAKE Hey, sorry. Everything okay?

ABE This machine is supposed to be unhackable.

He furiously clicks and types.

JAKE Okay...?

ABE That message came from nowhere. It's not on my computer. There's no record of it.

JAKE So you still want to do the show, or...?

ABE Jake, you don't understand. This is not possible. Someone is using tech that just -- doesn't exist.

JAKE Well, so, we didn't really get to talk about Gigantopithecus.

ABE And it sounded like that girl, Rose. Don't you think? But she doesn't have access to this kind of tech.

JAKE So Gigantopithecus is an ancient species of primate.

ABE Jake, are you listening to me, man? This is serious.

JAKE Yeah, I'm telling you. This thing -- let's just call him "Giganto," it's easier -- it was the largest primate that ever lived, at least according to current fossil records.

ABE Dude, I've...I've gotta go. You should disconnect your wi-fi.

Abe grabs his stuff and leaves. Sound of door opening and closing. Jake continues like nothing's happened.

JAKE Giganto was ten feet tall, and likely weighed over a thousand pounds. Now, there have been plenty of species that people thought were extinct, and then they found them out there in the world. They're called "Lazarus species," because they came back from the dead. Now, what about our friend Giganto? Could he be a Lazarus? The evidence is pretty compelling. For example, Abe, if you look at the fossilized foot samples from...

Jake looks around. He's slowly coming back to himself.

JAKE Oh, that's right. Abe had to go. Well, this has been a fantastic episode of SQUATCH TALK! I don't think I need to do any edits. The next episode should be out in just a couple of days. But if you want to see the evidence -- and maybe even a live Sasquatch in the flesh -- then you'll need to join me for a SQUATCH WALK! Just head on out to Charity, Oregon, and follow the signs from the town hall. Someone took them down a bit ago, but I'll put them back up. Oh -- this episode is sponsored by Dave's Hardware. At Dave's, you can get hammered and screwed! ...Wait, that doesn't sound right. Anyway, shoot me a message with your Bigfoot questions and stories. Maybe you can find yourself featured on SQUATCH TALK! Until next time, everybody.

The "'Squatch Talk" theme song plays as we fade out to...

INT. JAKE'S HOUSE - LATER

Bleep-Blip! The friendly stopping sound on Jake's podcast app indicates the recording is over. Jake turns excitedly to DR SIMMONS, who is less enthusiastic.

JAKE So what did you think?

DR SIMMONS I really just came by to speak with Lara Campbell. Is she here?

JAKE Oh. No.

DR SIMMONS Well, there's a half an hour of my life I'll never get back...

END OF EPISODE.

OUTRO

Thank you for listening to Believer. I’ve got a bit of a bad news, good news situation for you today, listeners. The bad news is that we’ve reached the end of the audio we were able to record as a cast before COVID-19 shut down the recording studios in Los Angeles. With the outbreak continuing and protests filling the streets, I can’t say for sure when we’ll be able to get back together again. So this is a long way of saying that the main storyline of BELIEVER is now on hiatus. But there is some good news! We've got prequel and spin-off episodes planned that make use of some of the remote recording possibilities that we have. I've also got lots of plans to revamp the show in the meantime. When we come back, we’ll have better audio, a consistent release schedule, and lots of cool ways to interact with the show. As always, follow us on Twitter, Instagram, and Facebook @believerpod for all the latest news. You can also email believerpod@gmail.com to get in touch. For full credits, transcripts, press kit, and other information, stop by the website at www.BelieverPodcast.com. If you enjoyed Squatch Talk, then you should really subscribe to King Falls AM, a fiction podcast about two guys running a radio show in a paranormal town. I swear I didn’t do this on purpose, but when I listened back to this episode I was like, “Oh, I made a King Falls episode in the Believer-verse.” So if you liked this, go to KingFallsAM.com or look them up in any podcasting app. Now, this feed's not going completely silent, because there's a lot going on. So over the next few weeks, you can expect mini episodes recommending other shows, opportunities for activism, and resources for coping with our collective life situation. We’ll have new Believer content soon, but in the meantime it’s important for us to help each other. Until then, remember: be safe. Wear a mask. Black lives matter. Trans women are women, trans men are men, and non-binary people are wonderful. And while you're at it, just try to get a good night’s sleep. You encounter far fewer ghosts when you’re well-rested. Bye now.

TRANSCRIPT: 1.04 - The Voice of God

 A PDF version of this transcript is available here.

INT. LARA'S CABIN - NIGHT

Crickets. Night sounds.

Fade in on Lara humming to herself as she scribbles furiously on sheets of paper. Sodapop whines softly. As she shuffles paper, Lara begins to sing.

LARA: The sweet annihilation (she hums again) All will be nothing, and we will be all

The walls creak. Sodapop growls. Lara draws even more furiously.

LARA: The harder they fight us, the harder they'll fall / All will be nothing, and we will be all. / All will be nothing, and we will be --

She hears a distant, eery cry. She stops, listens until it finishes.

LARA Okay. Good night.

She slumps onto the floor, unconscious. Sodapop grumbles to himself.

TITLES

Theme music.

NARRATOR: Believer. Episode 4: "The Voice of God."

End theme music.

INT. LARA'S CABIN - DAY

The next morning. Sodapop yawns and stretches. Lara types at her laptop.

LARA: Hey, Sodapop! About time you got up, buddy. (sighs) I've gotta remember not to look at those drawings Rose made before I go to bed. I had the weirdest dream. (beat) I don't remember printing them out, either...I guess it's not a terrible idea.

Sodapop makes a little irritated 'woof' noise.

LARA: Yeah. I gotta get more sleep. Anyway. (hits a button) Let's see what ol' Reverend Mitchell has to say.

Blip-bloop! The voice of MITCHELL BOONE, strong and confident, comes through the laptop speakers.

MITCHELL: Now, there aren't many of you seated in the pews these days. But that is the price of telling the truth. For I have heard the call of God, as you have, and I know, as you do, the signs of His coming.

LARA: Sounds pretty conventional to me.

The sound shifts so that we can hear Mitchell more clearly.

MITCHELL: In Revelations, chapter six: "Then I saw the Lamb open one of the seven seals, and I heard one of the four living creatures call out, as with a voice of thunder, 'Come!'" And he saw four riders, on four horses. First, the rider on the white horse: Conquest. Man's attempt to control that which he cannot. We will grab at our minds ever tighter as they sift through our fingers. Then the red horse: War. Turning prey to predators so that all may have the chance to eat and be eaten. Then the black horse, representing famine, the choking vegetation. Starving root and bleaching soil. We have seen these. We will see these. But the last, on the pale horse. They call him death. But he is so much more. He is ending. He is silence. You will not see him coming. For you cannot see absence, loss, nothing. But you can feel it, can't you? The emptiness in your chest, yearning to join the void. That is what is coming. That is what we seek.

Bloop-blip. A beat.

LARA: Okay, yeah, I can see why that's not on the radio. But if they stopped airing his sermons, then why...

Blip-bloop! Next sermon.

MITCHELL: And when we meet that creeping annihilation, the void, the nothingness, we shall greet it as an old friend. For we are one. We are nothing. We are all.

A crowd chants behind him.

CROWD All is nothing! We are all! All is nothing! We are all!

MITCHELL (overlapping) The Earth shall be a sea of glass: nothing, nothing, nothing, nothing --

Bloop-blip. Lara groans.

LARA: Oh, god. Is there any small town that doesn't have a secretive underground cult? I mean, come on.

She types a bit on the keyboard.

LARA: Nothing online, but that's to be expected.

Lara sighs.

LARA: Okay, so, Rose's dad started a -- well, technically it's a "new religious movement." It's possible Rose was involved, but I doubt it. I mean, she's into paranormal stuff, but she'd never get into something like this.

She clicks. Blip-bloop! Another recording plays.

MITCHELL: "Lo, how a Rose e'er blooming from tender stem hath sprung." Do you know the hymn? "To show God's love aright, she bore to men a Savior, when half-spent was the night."

He takes a moment to catch his breath.

MITCHELL: And she will. She will bear to us this savior, this darkness. For she hears it. She hears it better than I ever have. And she carries it with her. The darkness. The nothing. Look -- look to my Rose in the scorched, packed earth. The sea of glass. She sees -- she sees --

Bloop-blip.

LARA: Ah. Never mind then.

Sodapop whines.

LARA Yeah, let's take you out. But then I've gotta look into this. Honestly, Sodapop, if this dumb cult took Rose, I am going to be so annoyed.

Sodapop scampers out the door ahead of her.

INT. LARA'S INBOX

VOICEMAIL: You have one unheard message. First message.

DR SIMMONS: Hello, this is Doctor Penelope Simmons, leaving yet another message for --

The sound glitches out into loud static.

ROSE: Laraaa...Laraa...

Odd distortion breaks in.

ROSE: Nothing's here.

The sound cuts back into static and then we're back to --

DR SIMMONS: Call me back, Ms. Campbell. Please.

BEEP.

EXT. MAIN STREET - DAY

Lara walks along the street. Sheriff Tate gets out of his car, approaches her.

SHERIFF TATE Miss Campbell! Still in town, I see.

LARA Sheriff Tate. You spend a lot of time in Charity?

SHERIFF TATE I'm responsible for the whole county, but I admit, I've got a soft spot for Charity.

LARA It is cute.

SHERIFF TATE It's wonderful. Anything I can help you find today?

LARA I'm actually looking for the church.

SHERIFF TATE Oh, well there's a brand new Presbyterian congregation on the end of Main Street.

LARA No, um, Reverend Boone's old church.

SHERIFF TATE I don't think that's a good idea.

LARA Nobody else has moved in there since he got sick and suspended services, right?

SHERIFF TATE Well, it's -- closed down. Locked. It'd be breaking and entering.

LARA I won't go inside. I just want to see something.

SHERIFF TATE Look, uh, I know you get your messaged from the Beyond and all...

LARA We should make an appointment to talk about your great-aunt, by the way.

SHERIFF TATE She's still talking to you?

LARA I think we could have a very promising conversation.

SHERIFF TATE Well, that's...interesting. But in the meantime, I need you to stay away from the Boone family.

LARA You can't believe everything Mayor Terri says about me, Sheriff. I'm not actually the Devil.

SHERIFF TATE No, it's...it's not safe.

LARA What's not safe?

SHERIFF TATE Just listen to me, Miss Campbell. We're not to the point of an official order here, and I know Rose meant a lot to you. But you really need to let this one go.

LARA I'm not gonna do that, Sheriff. Something is going on -- something is wrong in Charity. You've got to see that.

SHERIFF TATE Rose Boone is just fine. You'll see.

LARA I hope so.

SHERIFF TATE Well, I gotta get to another call. You stay out of that church, you understand?

LARA Yes, sir.

SHERIFF TATE And I suggest you head out of town as soon as you find what you're looking for.

LARA That's the plan.

SHERIFF TATE Good. Stay safe, Miss Campbell.

LARA I will.

He walks away, gets back in his car. Lara watches him go.

INT. INBOX

VOICEMAIL First skipped message.

MITCHELL Abe. I know you stopped airing my sermons. But you see, don't you? I have to share them. You have to...you have to hear it. We have to give ourselves. It wants us quiet and resigned. It wants us as...gifts...please...Abe...

He breaks off into a fit of coughing.

VOICEMAIL End of messages.

INT. CHURCH - CHAPEL - LATER

A window pane slides open with effort, and Lara squeezes through.

LARA Okay, if I can just -- ah!

She falls onto the floor. She gets up, wipes her hands on her clothes.

LARA See? Didn't have to break in. The window was open.

She takes out her phone. Blip-bloop! She starts recording.

LARA Okay. I'm in the old Church of the Seventh Seal in Charity. It's -- very dusty. Hasn't Mitchell only been sick for a month or so? This place looks like it's been closed for years.

She walks around, looking at things.

LARA It's small. Simple. Some pews, a podium up front, just the basics. No stained glass windows. No cross either. Honestly, the only thing you could call decoration is these lines in the woodwork. They're carved into the walls and along the center aisle, just these straight lines that kind of outline the room and then meet above the podium. It's a geometric shape, kind of like a star. Like I said, simple, but I guess it's something.

She walks across the floor.

LARA The pews have those book-holders, but there's nothing in them. So if this used to be a Christian church, someone chose to take out all the hymnals.

Up a few little steps.

LARA There's a little organ up front, no other seating, just the podium. A little lectern with...something on it. Under a very thick layer of dust. Let me see.

She wipes at the lectern, blows on it. Dust flies up. She begins to cough violently.

LARA Oh my god!

She coughs some more. The recording ends. Bloop-blip. She picks up a single piece of paper. She shakes it to get the dust off.

LARA Well, at least I have a generic lunar calendar now! That was worth coating the inside of my lungs.

She coughs, clears her throat.

LARA Alright...oh! Let's see what's over here.

She crosses the floor to a closed bifold door. She pushes as it slides open. She steps into --

INT. CHURCH - OFFICE - CONTINUOUS

A small, carpeted office.

LARA Now this should be interesting.

She pulls out her phone. Blip-bloop!

LARA Looks like I found Reverend Boone's office. It's ridiculously cluttered, but I've got time, so --

An alert from the phone.

LARA 10% battery? God damn it. Fine, I'll just take pictures.

Bloop-blip. Recording off. She moves around the room shuffling papers as her phone camera makes shutter sounds.

LARA Okay...printed sermons...some increasingly erratic personal notes, I'll make sure I get those...is this a drawing? It spans a couple of pages...

From the other room, we hear organ music. Lara stops. The music continues. Now the quiet hum of people talking. Lots of people.

LARA Is -- is someone there?

Lara slowly approaches the door. From the other room, Rose's voice.

ROSE You can't find me...

LARA Rose?

ROSE You can't see me...

She races back through the door to the chapel --

INT. CHURCH - CHAPEL

Which is silent. She looks around.

LARA Hello?

A cassette player clicks on.

MITCHELL (RECORDING) Oh the ecstasy of nothingness. For when we exist, we suffer. Don't we?

The organ music returns. Lara jumps.

LARA Ah!

MITCHELL (CONT'D) But It is here to help us. It -- it will take us. And she will lead us there.

The player clicks off. Lara stumbles away, tripping down the steps from the front lectern. She sprawls, looks up.

LARA The lines. Over the altar. They're twisting...like...

She hears voices talking again. The high-pitched scream from the meteor shower begins. It's distorted, long, echoing around the room. The voices fade into a chant.

VOICES All is nothing, and we are all. All is nothing, and we are all. All is nothing, and we are all.

LARA (overlapping) Oh no. No. No no no no.

She breathes hard, scrambles to her feet. Lara reels around, lost, confused, hearing sounds.

LARA How do I...how is this...

The cacophany fades down. A beat.

LARA Camille?

CAMILLE Hi, Lara.

LARA Are you...are you real? Are you here?

CAMILLE I'm here, Lara.

She walks toward Lara. The sound continues to fade away as Camille gets closer.

LARA Oh, thank god. I don't know if I accidentally ate something or...mmph!

Camille shoves a rag over Lara's mouth and nose, muffling her voice.

CAMILLE Shhh, shhh...just breathe. Nice and deep.

LARA (muffled) But...why...ughhhh...

Lara collapses.

CAMILLE There you go.

Camille stands over her a moment.

CAMILLE That's right, Lara. You just sleep now. Everything's going to be okay.

Camille hums the melody to "Lo, How a Rose E'er Blooming."

END OF EPISODE

NARRATOR: Thank you so much for listening to Believer. You've been so wonderful sticking with us through these schedule disruptions, and to reward you for that I'm going to announce a bunch of cool new stuff...at the end of next episode. So make sure you stay subscribed. Today, I want to tell you about a really cool podcast that just came out. Crypto-Z is an immersive sci-fi audiodrama that just debuted on May 8th. It's about a pair of scientist-explorers who climb the Alps in search of an Ice-Man, who they hope holds the key to restoring life on the planet. I'm a giant sucker for frozen isolation horror and crypto-humans, and the first episode definitely delivers, so be sure to check it out. You can find it on Apple Podcasts or go to www.euphonie.media. This episode was sponsored by Saunders & Associates LLC, providing medical insurance consulting in the beautiful state of Oregon and beyond. See you again soon. In the meantime, if you find yourself staring into a mirror and suddenly you don't recognize what you see -- your eyes begin to slip down your face, and your lips curl in a way that shouldn't be possible, and soon all you can see is this distorted, nightmare-version of your face, shifting and changing even though you know you're not moving a muscle -- Look away for a moment and focus on another point in the room. The neurons you use to sense motion sometimes go into overdrive when you look at a static image for too long. But maybe don't touch that mirror. Just to be safe. Bye now.

TRANSCRIPT: 1.03 - The Night the Sky Fell

A PDF of this transcript is available here.

EXT. THE COTTAGE - DAY

Birds sing. Trees sway.

At low volume, static-laced chaos and screaming plays on a short loop from a cell phone, a few seconds long, repeating over and over again.

Sodapop licks Lara's face.

She grumbles, stirs.

LARA

Okay, okay, let me just...

The phone sound stops.

Then a beat.

And she realizes where she is.

LARA

Uh, why am I outside?

JAKE

Morning!

LARA

Gah!

She scrambles away.

LARA

Jesus, Jake!

Jake laughs.

Sodapop barks, pants, and runs off after something.

JAKE

Rough night?

LARA

I guess? For the record, I was indoors when I fell asleep.

JAKE

(chuckles)

Sure.

LARA

Guess I figured out how to unlock Rose's phone at some point.

JAKE

Is that what that is?

Lara gets up. She dusts herself off.

LARA

Where have you been, by the way?

JAKE

You're just lucky it didn't rain for once.

LARA

Yeah. Seriously, though, where were you?

JAKE

Well, I'd better leave you to it.

LARA

I walked into that spot in the woods -- which was freaky, by the way -- and when I came back out --

JAKE

Okay, sounds good. You have a good day, Lara.

LARA

What?

JAKE

Coffee on the counter!

Sound of a truck door opening and closing as he gets in.

LARA

Wait --

The engine starts up.

LARA

Jake!

The truck drives away.

Sodapop barks again as it goes.

LARA

You said it, Pops...come on, let's check out this phone.

Sodapop pants happily.

INT. THE COTTAGE - DAY

Lara sits in the chair.

LARA (V.O.)

Sleepwalking. Vivid nightmares. Unexpected fatigue. All common side effects of emotional stress.

Not that I'm -- I mean, I was worried about my...friend. That can provoke some sleep disruption. That's all.

Anyway. That phone. There was surprisingly little on there. A couple selfies, some random pictures of trees. I guess she was going for a lot of walks in the forest.

And then there were...the videos.

Sound of phone screen locking and unlocking.

LARA

Well, looks like I turned off the password protection somehow, so that's something.

NARRATION

Cross-fade to narration -- we'll drop in on real-time Lara in a moment.

LARA (V.O.)

Before I get to that...have you ever heard of Tunguska?

LARA (V.O.)

In 1908, a mysterious explosion flattened approximately 2,000 square kilometers of forest in Eastern Russia. There have been over a thousand scholarly articles about it in the years since, but not because there's a lot of disagreement about what happened.

Music

LARA (V.O.)

Witnesses reported lights in the sky, typically a single column of blue light, brighter than the Sun. One witness described it like this:

“The sky was cloudless, only a small dark cloud was observed in the general direction of the bright body. It was hot and dry. As the body neared the ground (forest), the bright body seemed to smudge, and then turned into a giant billow of black smoke, and a loud knocking (not thunder) was heard as if large stones were falling, or artillery was fired.”

Distant explosion, dangerous sounds.

LARA (V.O.)

It knocked down 80 million trees in an instant and caused an approximately 5.0 earthquake.

Rumbles, terrified animal sounds.

LARA (V.O.)

It's called an air burst. It happens when a meteorite breaks up in the atmosphere, but gets close enough to the ground before that happens that the energy from its fall still slams into the Earth. An impact without an impact.

Woooosh!

LARA (V.O.)

This one hit with a force 1,000 times stronger than the atomic bomb the US dropped on Hiroshima.

Flames, terror.

LARA (V.O.)

Air bursts like this routinely occur. This one was just unusually close the ground.

Music. A beat.

LARA (V.O.)

I say all this so you know that, well, what happened in the woods above Charity was...not without precedent.

INT. THE COTTAGE

LARA

(sighs)

Alright, let's see what's on this thing...

She taps a video on the phone:

EXT. WOODS - NIGHT (PHONE VIDEO)

The video clicks on. Sound of feet walking on twigs, wind blowing. Rose carries the camera, two YOUNG MEN are further away.

ROSE

Okay, we're heading up Goat Mountain. You guys excited?

YOUNG MEN cheer.

ROSE

We should hit the clearing in about a half mile.

EVAN

Dude, this better be an amazing meteor shower.

TIM

We've been walking forever!

ROSE

You'll see. You'll see...

The video ends.

INT. THE COTTAGE

LARA

Hmm.

LARA (V.O.)

It was strange seeing her like that again. Hopeful. Happy. She had me blocked on social media, so -- you know how something can feel familiar and far away at the same time?

Of course, it kind of got more far away from there.

Blip! Lara clicks another file.

EXT. WOODS - NIGHT (PHONE VIDEO)

Another video starts. The wind blows, then suddenly stops.

EVAN

Whoa. The wind just...stopped.

ROSE

I told you.

TIM

Yo, where are we? I hike up here all the time and I've never seen this cabin.

ROSE

The view is best on the roof.

EVAN

What, we just climb up?

TIM

So is this your dad's or...?

ROSE

You should climb up there.

EVAN

Yeah, right? Yolo.

TIM

Dude, nobody says "yolo" anymore.

EVAN

Yoloooo!

Tim sighs.

TIM

You coming?

ROSE

I'm right behind you.

They climb up, voices getting further away. Rose mutters to herself.

ROSE

"When he opened the sixth seal, I looked..."

Rumble. Far away, the boys freak out.

EVAN

Whoa! Look at that!

TIM

They're -- they're not gonna hit us, are they?

EVAN

Stupid, they burn up in the atmosphere.

Rose, very close to the microphone, speaking softly.

ROSE

"and the stars of the sky fell to the earth as the fig tree drops its fruit..."

The rumble grows LOUDER. The boys scream. Rose laughs.

TIM

Oh my god!

EVAN

Rose, get up here! This is crazy!

TIM

Stay down there -- I think something's going to --

Another rumble. The boys yell, unintelligible.

The audio swings away as Rose starts to yell.

ROSE

"Fall on us! And hide us from the face of the one seated on the throne -- "

The video cuts out.

INT. THE COTTAGE

Lara breathes hard, frightened.

LARA

What...? That's not...

She plays part of the video again. She stops it.

Sodapop gives a little grumble.

LARA

You said it, bud. I mean, what do I do with this? What is this?

Sodapop whines.

LARA

It's okay. It's okay. One more video.

Lara takes a breath.

Bllip! She hits the last video.

EXT. WOODS - NIGHT (PHONE VIDEO)

It's the looped video from the beginning: short, chaotic, screaming, and then suddenly -- silence.

Rose hums over it all, soft and contented.

INT. THE COTTAGE

Lara takes a beat.

LARA

Okay, so that was...interesting.

INT. LARA'S INBOX

Message from Terri Boone.

TERRI

This is Mayor Boone. I don't know what you're still doing in this town, Lara, but you'd better stay away from me, my husband, and especially my daughter. I saw you at my house last night.

EXT. LOFTY DINER - LATER

Street sounds.

LARA

Hey, Camille, sorry for missing you earlier. My phone is being really weird.

CAMILLE

Yeah, no problem. Just -- let's get away from the diner, okay?

LARA

Yeah. We can go this way.

A car passes. They walk.

CAMILLE

So when can I meet your dog?

LARA

I can't get him to leave Rose's sweater.

CAMILLE

Oh, that's...

LARA

Concerning?

CAMILLE

Weird, I was gonna say.

LARA

That too. I mean, it makes some sense. He was Rose's dog, really. I mean, he was our dog, but he was her baby.

CAMILLE

Yeah. So, you and Rose were, like, together?

LARA

Sorry, I thought you knew. Figured Mayor Boone would've warned everyone about the woman who stole her daughter and sent her back crazy.

CAMILLE

No, she didn't say.

LARA

Well, that's something then.

CAMILLE

So are you...?

LARA

What?

CAMILLE

Nothing.

They stop walking at their familiar alcove. Street noises quiet.

LARA

So Jake said you had something for me?

CAMILLE

Oh, yeah. Here. It's a USB thingy I got from Abe.

LARA

Who?

CAMILLE

Abe Ramirez. He runs the radio station?

LARA

Okay.

CAMILLE

Well, you know Rose's dad, the Reverend? He used to have this radio show, every Sunday, where they'd play his sermons.

LARA

Sure.

CAMILLE

Well, a couple months ago they had to cancel the show because they got some complaints.

LARA

About what?

CAMILLE

Uh, well, it got pretty...unconventional. The preaching. But, see, he recorded a bunch of additional sermons before and after the cancellation. He kept sending them to Abe, even after Abe told him he could stop.

LARA

And Abe just kept them?

CAMILLE

Yeah. He was, um...well, it seemed safer that way.

LARA

And you think there's something in there that will help me find Rose?

CAMILLE

I think you should hear them, yeah.

LARA

Do you think Reverend Boone had something to do with Rose's disappearance?

CAMILLE

No, no, he wouldn't...

LARA

Because he's the one who called me. To come here.

This strikes Camille as odd -- maybe even significant.

CAMILLE

He -- he called you. Himself?

LARA

Yeah. It's the last message I got before my phone wigged out.

CAMILLE

Huh.

LARA

Anything helps, though. I'll take what I can get at this point.

CAMILLE

Yeah, I'll keep digging. Oh, by the way.

LARA

Yeah?

CAMILLE

Last night -- were you looking for me, or my mom, or...?

LARA

Last night?

CAMILLE

Yeah. When you were outside my house?

LARA

What? No, I wasn't.

CAMILLE

Yeah, I saw you. Like 2, 3 in the morning. You walked up the street, and then you just kind of...stood there. Staring. I thought maybe you were looking for me, but I don't remember telling you where I live.

LARA

You didn't. Where was this?

CAMILLE

Oh, I live above my mom's medical practice. Doctor Penelope Simmons? That's my mom. She said she called you, but like, the office isn't open at night.

LARA

Camille, I didn't go anywhere last night.

CAMILLE

No, it was definitely you. You walked up the street, you stared at the building for a while, and then you just, like, walked off.

LARA

That doesn't make any sense.

CAMILLE

I don't know, maybe you were astral projecting or something. Is that a thing you do?

LARA

I don't think so.

CAMILLE

Maybe it was a trance. Did you have a vision? Do you remember what you dreamed last night?

LARA

No, I -- I haven't had any messages from the spirits. Look, I need to go. Is this all you had for me?

CAMILLE

Yeah, sorry. I'll see if I can find more --

LARA

No, no, this is great. Thank you. Really. I've just...I have a lot to think about.

CAMILLE

Sure.

LARA

Thanks.

Lara hurries off. Street sounds fade.

INT. LARA'S INBOX

Message from Dr Simmons.

DR. SIMMONS

Hello, Ms. Campbell, this is another message from Doctor Penelope Simmons, General Practitioner in the town of Charity, Oregon --

CAMILLE

Mom.

DR. SIMMONS

Camille. Did you see her?

CAMILLE

Yeah.

DR. SIMMONS

What did she say?

CAMILLE

She doesn't remember it. I don't think she was trying to see you.

DR. SIMMONS

Well, she needs to see me, Camille. She needs to be examined.

CAMILLE

I know.

DR. SIMMONS

She could be the key to this whole thing, Camille. If we can understand why she hasn't been infected --

CAMILLE

I know.

DR. SIMMONS

So why haven't you done what I asked?

CAMILLE

I just...wait, are you on the phone?

DR. SIMMONS

Oh. Damn.

(into phone)

Call me back, Ms. Campbell. Soon.

She hangs up.

BEEP.

INT. THE COTTAGE

Lara jiggles the handle on the door. No dice. She jiggles it again.

Sodapop barks.

The door jiggles again, then Lara finally shoves it open.

LARA

Jesus! This door is becoming a...problem...

A beat. Sodapop whines happily.

LARA

Sodapop...did someone come in here while I was gone? Or did you decide to pull a bunch of stuff out of my bag for some reason?

Sodapop whines happily again, unhelpful.

LARA

Huh.

She walks around slowly, investigating.

LARA (V.O.)

Listen, I'm not one of those condescending pricks who thinks all belief in the supernatural is evidence of mental illness or stupidity or something.

She zips a bag, rummages around a little.

LARA

Well, it looks like everything's here...

LARA (V.O.)

I used to believe it too. I believed with everything I had. But Rose...it was different with Rose. For her it was...real.

LARA

Plus, you'd at least pretend to protect my stuff, right?

Sodapop pants, licks her face.

LARA

Yeah. Okay.

She moves a chair and sits at her desk. Typing on computer.

The video starts up again, this time playing from the computer speakers.

Rose, very close to the microphone, speaking softly.

ROSE

"and the stars of the sky fell to the earth as the fig tree drops its fruit..."

The rumble grows LOUDER. The boys scream. Rose laughs.

TIM

Oh my god!

EVAN

Rose, get up here! This is crazy!

TIM

Stay down there -- I think something's going to --

BLEEP. Lara stops the video.

LARA (V.O.)

But this? This is new.

Double-click as she plays it again: The boys screaming, Rose laughing.

INTERVIEWER (V.O.)

So you think something changed?

LARA (V.O.)

I think something happened.

Click, double-click. Sound of Rose humming over chaos.

LARA (V.O.)

Because this? This video? This is not Rose. Not the Rose I know, anyway.

[ROSE/BROTHER MONOLOGUE GOES HERE]

The video suddenly pauses.

LARA

Wait.

Click. Double-click. The chaos again, with Rose's hum.

LARA

What is that?

Computer volume increases. Click. Double-click.

It plays again. In the background of all that jumble, an odd knocking sound.

LARA

Hold on...

She clicks again, opening another program. Keystrokes.

LARA (V.O.)

Something happened.

Sodapop whines, sounding worried.

LARA

Okay, so I just turn down some of the background noise, mute this section, and...

The clip plays again, with the audio edited. A loud knock-knock-knock sound. Followed by a distant cry.

LARA (V.O.)

And I guess part of me wonders...if it happened to me too.

She plays it again, sound tuned even more clearly. Knock-knock-knock. Cry. She stops it.

LARA

That's goddamn Sasquatch.

Sodapop grumbles.

OUT.

TRANSCRIPT: 1.02 - Dead Zone

A PDF version of this transcript is available here.

INT. LARA'S INBOX

Internal sound of a phone ringing.

Voicemail from DOCTOR PENELOPE SIMMONS (63). She is serious, clipped, no-nonsense.

The message is heavily distorted, with lots of electrical interference.

DOCTOR SIMMONS: Hello, this message is for Lara Campbell. This is Doctor Penelope Simmons, General Practitioner in the town of Charity, Oregon. I don't know your plans here in Charity, Ms. Campbell, but I must ask you not to go inside the Boone home. There appears to be some kind of contaminant related to --(static; the message breaks in and out) Symptoms including respiratory depression -- cinations, periods of catatonia -- (more static) Again, I must advise you to avoid the area as a matter of public health. Please contact me with any...

The message glitches out.

TITLES

NARRATOR: Believer. Episode 2. Dead Zone.

EXT. JAKE'S HOUSE / LARA'S COTTAGE - DAY

It's morning. A calm day -- wind moves gently in the trees, birds chirp. SODAPOP sniffs around merrily.

LARA and JAKE stand over a set of large footprints.

LARA: I don't think it's a footprint.

JAKE: Aw, come on. You've got the impression of a heel here, a slight incline where the arch would be -- that's a Sasquatch track.

LARA: It's an...impression. In the dirt.

JAKE: When this plaster cast comes up, you'll see. What do you say, 18, 18 and three-quarter inches? That's a full-grown one, right there. Probably an adult male. And what with the wood-knocking last night --

LARA: Whoa, whoa, wood-knocking?

JAKE: Sasquatch knock pieces of wood together to warn off outsiders and communicate with their clans. It's very well-documented. That is what you heard, right? Knocking?

FLASHBACK: The sound of knocking, thumping, and the wet squishy sound...

It breaks off, back to the present.

LARA: It was a dream.

JAKE: I guess we'll see. Ready to Squatch Walk?

LARA: Terrible name, by the way.

JAKE: But it pairs with my podcast, Squatch Talk.

LARA: Of course you have a podcast.

JAKE: Every Tuesday and Thursday! Well, that's the plan anyway. Just gotta find some guests. Okay, is the dog going to be alright, or..?

Sodapop whines.

LARA: He's fine. He hikes off-leash all the time. Pops -- Sodapop! Let's go, bud.

Sodapop runs around happily and pants.

JAKE: Well, keep an eye on him. Animals sometimes get spooked in Sasquatch territory.

LARA: Noted.

They walk into the grass and brush.

EXT. FOREST - MOMENTS LATER

They trudge along through the back country.

JAKE: Trail seems to lead this way. Which makes sense, because that's where I heard my first 'squatch. Now, if you look off this way, see those look like natural rock formations, but no no no, see...

His voice fades out as they walk. Lara's voiceover takes over -- played from a recording device.

LARA (V.O.): Knocking. Thumps in the night. It's so classic I'm surprised I even fell for it.

JAKE: Now, I want you to pay attention to these tree limbs, okay? Broken limbs represent a boundary, a kind of message to the others in the clan.

LARA: Uh-huh.

LARA (V.O.): In 1848, a family in Rochester, New York began to hear a mysterious "rapping" noise in the night. Bumps on the floor, knocks on the walls, without cause or explanation. The sounds were random at first, but two of the younger girls, Kate and Maggie, devised a way to communicate. Kate would snap her fingers, and the knocking sounds would reply.

Jake stops them.

JAKE: Wait. Shh. You hear that?

It's all just regular forest noises.

LARA: What am I hearing?

JAKE: Nah. False alarm. They're mostly nocturnal, but you never know.

They continue walking.

LARA (V.O.): Now the girls claimed that the knockings came from a spirit called Mr. Splitfoot -- which is a nickname for the Devil, naturally. But this ability caused a giant sensation. People came from miles around, and the girls demonstrated their abilities in homes and concert halls all across the northeastern United States. They gave guidance on investing, love affairs, even criminal investigations.
When the sisters communed with Mr. Splitfoot, people said they felt hands on their shoulders, spirits walking among them. They saw flashes, they felt a presence.

Jake approaches a tree.

JAKE: Here, here -- you see this?

A bug flies around.

JAKE: Look -- this tree. You see the way the limbs are all broken on just this side. And that one up there. That one too. See?

LARA: Uh-huh.

JAKE: Wayfinding. They use it to communicate with the rest of the clan.

LARA: They travel in clans.

JAKE: Oh, sure. They're social, just like other hominids.

LARA (V.O.): The Fox Sisters later confessed thaat this knocking sound? They were just popping their joints. Toes, mostly, but ankles and knees too. These girls could pop their toes so loud that entire auditoriums of people heard it. And when the people heard the popping, they imagined spirits touching them.

JAKE: There. See the bent branches over there? He went this way.

They continue through the forest.

LARA: What do you think it sounds like when Bigfoot pops his toes?

JAKE: What?

LARA: He's got big feet, right? Probably some big toe knuckles on there.

JAKE: You think a Sasquatch was popping its knuckles last night?

LARA: Well, it's possible, right?

JAKE: Well, yeah...I guess...

LARA (V.O.): It didn't matter that it was fake, though. It started a movement. Spiritualism. Ouija boards? Seances? Most of what I do? It all goes back to a couple of girls with really creaky toes. And if you know all that history, right, it's foundational to what you do and why you do it, what do you think your nightmares will be about? Of course, it was gonna be knocking.

Jake stops suddenly.

Beside them, Sodapop stops too. He seems deeply interested in something.

LARA: Jake? What is it?

JAKE: I, um...I don't think we should go this way.

LARA: Okay, well, I think I see some more bent branches up that way. To be honest, I see them everywhere. It's almost like they're naturally occurring.

Distant droning and creepy sounds move in.

JAKE: Go back.

LARA: What?

JAKE: You need to go.

LARA: Jake, I'm sorry if I seemed --

JAKE: No. Let's go.

LARA: Okay, uh, Pops --

Sodapop suddenly growls and crashes off into the bushes, chasing something.

LARA: Pops? Sodapop! Get back here!

She steps after him. Jake stops her.

JAKE: Lara, don't.

LARA: Come on, I just --

JAKE: It's a bad place, Lara.

Rustling sound.

LARA: Jake, I'm gonna need you to let go of me. (beat) Thank you. Now I'm going to get my dog.

JAKE: I wouldn't.

LARA: So don't.

Lara crashes into the bushes and trees.

EXT. DEAD ZONE - CONTINUOUS

She stops. Everything has gone silent. No trees. No birds. Nothing. Just a distant drone to tell us this is creepy.

Lara takes a step forward.

LARA: What the...?

She looks around. It's eerily quiet.

LARA: Soda? Sodapop?

Lara takes a few nervous steps forward over the sandy ground.

LARA: Where you at, buddy? You checking out those deer...carcasses...? Jesus, that's a lot of dead deer.

She pivots, looks around.

LARA: And trees.

LARA (V.O.): A neat circle of dead...things. Trees, bushes, animals. Birds looked like they'd fallen out of the sky. Even the dirt felt dry and lifeless.

Lara pulls out her phone. Shutter sounds as she takes photos.

LARA: What could do this? I mean, elk don't do graveyards, they're not elephants, it's...

LARA (V.O.): The weird thing -- and I didn't reaally think about this until later -- but there weren't even any bugs. No flies, no worms, nothing. But the deer were still decayed like normal? I don't know. You expect flies, you know? It just made the whole thing seem really, really quiet.

LARA: Pops? Sodapop! Oh, thank god.

Sodapop whines.

LARA: What'd you find, buddy?

She reaches toward him. Sodapop growls.

LARA: Hey, hey, it's just a...sweater...let me see that, bud.

She takes the sweater. Sodapop whines and jumps for it -- he wants it back.

LARA (V.O.): Strawberry University. A dumb joke sweater I got for Rose in Portland one time. She said she threw it out before we even broke up.

LARA: Is this why you ran off, Pops? You could...smell her?

LARA (V.O.): She said it in one of those dumb fights. The bad ones, toward the end. I guess she just wanted to hurt me.

She calls back to Jake.

LARA: Jake? Jake! I found something!

LARA (V.O.): She kept it, though. So that's something.

She waits. No answer.

LARA: What do you think, Bud? Is there a trail? Do that, you know, tracking thing.

Sodapop whines and scratches.

LARA: Well, I'm not staying here with all the bad meat. Come on, buddy, let's head back and regroup.

Sodapop whines.

LARA: No, you can have the sweater when we get home.

She walks away. Sound of heavy footsteps. She turns, gasps.

LARA: Someone there?

The sound stops. Sodapop keeps whining.

LARA: I'm really starting to hate this place.

She walks off.

INT. LARA'S INBOX

COMPUTER VOICE: First unheard message.

A young man, probably stoned.

PETER: Hey, uh, is this Lara Campbell? I can't find my keys, and like, I don't know if you do any work with poltergeists, but there is this...Oh. Hang on, they were just in my jeans. Never mind.

BEEP.

EXT. JAKE'S HOUSE / LARA'S COTTAGE - DAY

Lara and Sodapop crash out of the bushes.

LARA: Finally! Jesus.

She stops to catch her breath.

Sodapop groans.

LARA: (calls out) Jake? (beat) Jake? Are you here? It was great finding a way back without you, by the way.

She walks up to his house. The door opens with a creak.

LARA: Jake?

She waits a second, then sighs and shuts the door.

LARA: Come on, buddy, let's get back to the cottage. I'll make some calls or something.

Sodapop gives an inquiring whine.

LARA: Yes, you can have the sweater.

They walk across the gravel toward the cabin.

INT. LOFTY DINER - LATER

There's a low hum of conversation from other patrons. Silverware moves against plates, etc.

The bell over the door dings as Lara enters. CAMILLE (late 20s) approaches, cheerful.

CAMILLE: Welcome to the Lofty Diner. You want a booth or a table?

LARA: I'm actually just looking for Sheriff Tate. Dispatch said he was here?

CAMILLE: Oh, he is, but he's actually in a meeting with --

LARA: (bright, fake) Mayor Terri Boone? Is that you?

TERRI sits at a table with SHERIFF TATE (65), a jovial man with a folksy, avuncular approach to justice.

TERRI: Lara? What are you doing here?

LARA: I should've known I'd see you here. Among all your constituents.

Terri pauses. She makes a quick calculation. And she also switches to a bright, cheery tone...with an edge beneath it.

TERRI: You know me. Just chatting with the Sheriff, here.

SHERIFF TATE: Howdy. Sheriff Tate.

TERRI: Camille, why don't you see if you can find Lara a nice seat at the counter?

LARA: Oh, I actually have business with the two of you, if you don't mind.

CAMILLE: Is that alright with you, Mayor Boone?

TERRI: Honey, I keep telling you to call me Terri.

CAMILLE: Right, sorry.

SHERIFF TATE: Of course, we'll just pull up another chair for you here. I'm always happy to hear a citizen's report.

The chair scrapes as Camille pulls it across the floor.

CAMILLE: Okay, well, I'll just come back for the, um -- I'll check in on you.

LARA: Thanks.

She retreats.

SHERIFF TATE: Now, what can I help you with?

TERRI: I'm surprised to see you out and about, dear. I thought I was clear.

SHERIFF TATE: What's that now? Everything okay?

LARA: I just have a little history with Mayor Terri's daughter, Rose.

SHERIFF TATE: Oh...oh, you're Lara Campbell.

LARA: Have you been talking about me Mayor Boone? How flattering.

SHERIFF TATE: Well, she just mentioned a few things.

TERRI: Yes, so I wouldn't say there's much the two of you need to talk about. If you could just --

LARA: I found Rose's sweater.

This brings both of them to a stop. Silence for a short beat.

LARA: In the woods above Jake Talbott's house. I can take you right to it. Well, not right to it, but you know, I can find it again.

Another beat.

LARA: Come on. She must've passed through there on her way to -- wherever she went. It's a lead. She's a missing person, right? So if we just head back up there...

SHERIFF TATE: Rose Boone is not a missing person, Miss Campbell.

LARA: She's been gone for two weeks.

TERRI: She's fine.

SHERIFF TATE: And her mother says she's camping. Listen, Miss Campbell, I don't know when you were last in contact with Rose, but...this isn't so unusual with her.

LARA: Clearly it is, or else why would Mitchell --

TERRI: Mitchell suffers from a severe respiratory disorder. I don't see how he could've called you, Lara.

LARA: Do you want to hear the message? I've been having some issues with my voicemail, but I'm sure it's in there.

SHERIFF TATE: Miss Campbell. Believe it or not, we actually have things under control here in Wasco County. And we don't need people like you -- (off her reaction) N-no, no, no, not -- my niece is a lesbian, so I don't have a problem with that -- I just mean with your history of, of misrepresenting yourself, maybe you're not the right person to go around telling us what to do.

LARA: Misrepresenting myself? Why, Mayor Boone, what have you been saying about me?

TERRI: Nothing that isn't true.

SHERIFF TATE: The fake psychic business.

LARA: Fake?! You don't believe I'm really psychic?

Terri scoffs.

LARA: Oh...hold on...I'm feeling something.

TERRI: Lara.

Lara stands and addresses the room.

LARA: Someone here has unresolved business with someone on the other side. You've been thinking of them lately, unexpectedly. I'm getting maybe an...M? Or a D.

SHERIFF TATE: My great-aunt! Her name was Mary Dawson.

LARA: That's it! Oh, she has a message for you.

TERRI: Enough!

Terri slams the table. A collective awkward silence.

LARA: Hm. Nope. It's gone. Sorry, everyone.

Her chair slides as she sits again.

TERRI: What do you want?

LARA: I want you to investigate this. To care. Something.

SHERIFF TATE: Were there any signs of struggle around this sweatshirt you found?

LARA: Well, no, but there were a bunch of dead deer...

TERRI: That sounds like an issue for the Game Warden, wouldn't you say, Sheriff Tate?

SHERIFF TATE: Sure.

LARA: Come on, Sheriff --

SHERIFF TATE: Mayor Terri's got a point, Miss Campbell. From where I'm sitting, this doesn't seem to be a criminal matter at all.

LARA: But --

TERRI: Well, there you have it. And I think it's about time we both got back to work, wouldn't you say, Sheriff? I'll just go see the girl about the bill.

She stands.

TERRI: Camille, honey?

CAMILLE: Yes, Mayor Boone?

She walks off.

Sheriff Tate leans in confidentially.

SHERIFF TATE: Listen, about my aunt -- did she say anything in particular? Because there's a family rumor about some gold.

TERRI: Come on, Sheriff!

SHERIFF TATE: Well, we'll talk another time.

LARA: We definitely will.

Sheriff Tate gets up to leave.

EXT. LOFTY DINER - MOMENTS LATER

A quiet street. A few cars, some birds, etc.

The doorbell rings again as Lara marches out of the Diner. She takes a few steps down the sidewalk.

The door rings again and Camille races after her.

CAMILLE: Wait -- wait, don't go. It's Lara, right?

LARA: Love how everyone here already knows my name.

CAMILLE: Listen, I heard what you said in there. Not that I was eavesdropping, I just --

LARA: Okay, I don't think the spirits are going to give me any more information right now, so --

CAMILLE: No, I mean...are you really looking for Rose?

LARA: Oh. Yes.

CAMILLE: Oh, thank god. Look, I feel like I've been going insane. Everybody's acting like there's no big deal, and if you bring up Rose it's like...

LARA: Like what?

CAMILLE: Just -- come over here, will you? I don't want to be too close to the diner.

LARA: Fine.

They step aside, where sounds are more muted.

CAMILLE: When you mention Rose to any of those people, it's like, either they act like they can't hear you or they just kind of pat you on the head and tell you to calm down. It's bizarre.

LARA: Are they usually like that about, you know, town secrets?

CAMILLE: Up until now I didn't think we had any town secrets.

LARA: Hm.

CAMILLE: But if you're looking for Rose... (glances around) I want to help you.

LARA: That's great. Where do you think she is?

CAMILLE: Well...okay, so like a few weeks ago or, or maybe like a month, something happened.

LARA: What?

CAMILLE: Well I wasn't there, but some of the guys went to the woods to watch this meteor shower.

LARA: Okay...

CAMILLE: I guess Rose was there? Or, well, I'm not sure. I don't really know her. But the guys said...they said the sky fell down.

LARA: The sky fell down.

CAMILLE: I know, it's...and they seemed pretty freaked out, but they wouldn't say much about it. And then they got sick. Like, really sick.

LARA: Huh.

CAMILLE: And since then things are just...off. It's like whatever happened that night spooked the whole town.

LARA: And Rose has been missing since then?

CAMILLE: Not long after.

LARA: Listen was this -- you said this happened in the woods?

CAMILLE: Yeah.

LARA: Have you heard anything about a kind of a "dead zone" in the woods above Jake's place?

CAMILLE: Jake Talbott?

LARA: Yeah.

CAMILLE: A dead zone?

LARA: I found this area with no vegetation. No leaves, grass, anything. And dead animals, too. Birds. A bunch of deer.

CAMILLE: Gross.

LARA: Yeah.

CAMILLE: I mean, I haven't been out there for a while. Jake doesn't really like people messing with his Bigfoot stuff.

LARA: But that's the way they went for the meteor shower? Out past Jake's place?

CAMILLE: Probably. They would've wanted to get up that hill.

LARA: Do you know when exactly this was? Who was there? Anything?

CAMILLE: I think I can look it up for you. And I can give you the guys' phone numbers, but I don't know how much it'll help you.

LARA: Why not?

CAMILLE: Well, like I said, they're sick. Like they're in the hospital sick. All of them. Tim's mom says he opens his eyes sometimes, but they can't speak. Everyone who was there that night except Rose.

LARA: Rose didn't get sick.

CAMILLE: No, apparently she was fine.

LARA: That's...weird.

CAMILLE: Right?!

LARA: Hm.

CAMILLE: Yeah. Listen, I've gotta get back to work, but, you know, see if you can find Rose's phone. She does these little Insta videos all the time? Maybe there's something from that night.

LARA: Yeah, actually, I found it at her house.

CAMILLE: What? She's always on her phone. She wouldn't leave it.

LARA: Yeah.

CAMILLE: God, this whole thing is just awful. (beat) But you know she's okay? Like, can you sense her or...?

LARA: Hm? Yeah. She's out there. She's got to be.

CAMILLE: Because you're -- you're psychic, right? Have you tried, like, connecting with the spirits, or...?

LARA: I'm doing everything I can, Camille.

CAMILLE: Good. Okay, yeah, I really need to get back in there. You tell me if you need anything, okay?

LARA: Yeah, here. Take my card. If you think of anything at all, call me. And if you don't get through, just try again or text or something, okay? I haven't been getting my voicemails lately.

CAMILLE: Okay. Thanks, Lara. I'm just -- I'm so glad someone believes me.

LARA: We'll find her.

CAMILLE: I know we will.

INT. LARA'S INBOX

BEEP.

COMPUTER VOICE: First skipped message.

ROSE: Lara...Laaaaaraaaa...it's so beautiful...the face of God...

More static. A distant, high-pitched cry.

BEEP.

INT. LARA'S COTTAGE - NIGHT

Door creaks open and closed. Lara jiggles the handle.

LARA: Sodapop? Hey, Buddy. You feeling okay? You seem kind of...

Sodapop gives a low growl.

LARA: It's okay, I won't take your sweater. Her sweater. Your mom's -- you know.

She walks over to the desk and rummages through her things.

LARA: Still no Jake, huh? Well, let's see if I can find anything about elk graveyards online.

She types.

Wind blows. More knocking. Lara pauses, hearing it. She waits, but the sound stops.

LARA: Jake, is that you?

She types again. It knocks again. She stops. It stops.

LARA: Okay, what is going on?

No response. Thunder in the distance.

LARA: I must be exhausted. I'm hearing things...

She yawns.

LARA: Actually I'm really, really tired.

Thunder.

LARA: I think I'll just...shut my eyes for a...

She slumps onto the floor, asleep.

The knocking moves across the field of sound.

Sodapop whines softly.

ROSE: (whisper) It's okay. I'll see you soon.

Sodapop yawns.

FADE OUT.

OUTRO

"All More," by Lax Superlative fades in...

Thank you for listening to Believer. This week, let's raise some engagement. Leave us a review or a comment wherever you're listening right now. It's a little thing, but it really helps the show.

This episode was sponsored by Saunders & Associates, LLC. Providing medical insurance consulting in the beautiful state of Oregon and beyond.

TRANSCRIPT: 1.01 - Charity

A formatted PDF is available for download here.

INT. LARA'S INBOX

The voicemail box of Lara Campbell.

LARA You have reach Lara Campbell's Psychic Investigations. Please leave a message.

BEEP.

First message. ROSE BOONE. She's late 20s, vibrant, cagey, flighty. Lara's opposite, but also her equal.

ROSE Hi, um, Lara. This is Rose. Rose Boone? Yeah. Uh. Listen, I know it's -- been a while. But I really need to talk to you. Okay? I'm at my parents' house and there's something... Can you just call me? Please?

BEEP.

A middle-aged woman.

WOMAN Um, hi, my name is Deborah Lee. There have been some...things going on in my house that I can't quite explain.

BEEP.

Rose again. She sounds rattled, unsettled.

ROSE Hey. Lara. Me again. Thought I'd see if you got my other message. I just, um...God, this is awkward, I...I need you. Okay? I need you to hear it. Call me back. Please.

BEEP.

Deborah Lee again.

WOMAN We found this ouija board and things haven't really been the same since.

BEEP.

MITCHELL BOONE, 61, well-spoken, composed and confident, if a little worried-sounding here.

MITCHELL Hello, this is Reverend Mitchell Boone. I think you know my daughter, Rose? Well, I don't know how to say this, but Rose is missing, and I think you might know how to find her. Can you come to Charity right away? Please, we need you. Thanks. God bless.

TITLES

Music comes in.

JULIE (V.O.) Believer. Episode One: Charity.

Music ends.

INT. PETERSEN HOME - DAY

Lara sounds soft here, her voice smooth, soothing, almost meditative.

LARA Just one more time, please, Mrs. Petersen. Tell me what you saw. (off her hesitation) It's all right. Just take a deep breath.

Kathy takes a deep, nervous breath. She begins.

KATHY Um, well, it's happened a few times now. I wake up in my bed, usually around 2 or 3 in the morning, and I -- I see it. I see her.

LARA Who do you see?

KATHY A woman. She's glowing, indistinct. Dressed in a -- an old dress, with the high collars, you know? And there's blood. Dried blood. All over her neck.

LARA Does she speak to you?

KATHY No. No. She just...stares. With this look like...like she can see through me. And then I get this horrible feeling, like someone's sitting on my chest. Dread. And I can't move, I can't speak, I can't --

LARA It's okay, Mrs. Petersen. My protection charm is still in effect. She can't reach you here.

KATHY Are you sure, because I heard that you used to have a partner. Rose something?

LARA Uh -- she -- yes. I used to, um, but we're not, um -- it's fine.

KATHY She always seemed like such a sweet girl. Very in tune, they said.

LARA Um, yes, well, the spirits are with me now. I feel them all around us, Mrs. Petersen.

KATHY Kathy.

LARA Kathy. Of course. So after the floating woman looks at you, what happens?

KATHY She, um...she comes apart. Her neck, just, like a hinge.

LARA Her head comes off?

KATHY Yes. And then the rest of her just sort of unravels. Like when you pull a thread on a scarf or something. Except instead of thread it's just...nothing. Nothing inside her, disappearing into nothing, and -- except her eyes are still there, I can feel them just staring, like it's my fault, like there's something I need to --

She breaks off, emotional.

LARA Take a breath, Kathy.

KATHY What do I do? What does she want?

LARA I can feel her presence here. I believe I can commune with her, but I'll need you to step away for a moment while I make the connection.

KATHY Oh, you think I'm causing this?

LARA You're doing nothing wrong. Fear is understandable, but contagious, in a way. I'll just bring her out first, see if I can convince her to speak with you.

KATHY Oh. Okay. Sure.

LARA I want you to brew a pot of tea and take ten cleansing breaths.

KATHY Of course.

LARA Thank you.

Kathy leaves. Sound of door opening and closing.

Blip-bloop! Lara grabs her phone. The soothing meditation voice is gone. She's all business, dry, crisp, hurried.

LARA Look up "victorian woman images."

COMPUTER VOICE Here's what I found.

Sound of typing. Lara's narration breaks in.

LARA (V.O.) This is an old profession.

LARA I just need somebody who isn't famous.

LARA (V.O.) Not, you know, "the oldest profession." But there have always been people who see things, and people who tell everyone what that means.

Blip-bloop!

LARA Search "victorian woman stock photo blurry."

LARA (V.O.) They're just not always the same person.

LARA (under her breath) Just gotta get past the first page of search results...there we go. Okay, pop it into the app, and...there.

Just then, the door opens again and Kathy returns.

KATHY Can I -- is she here? Lara's psychic voice is back.

LARA Yes. She's quiet, but she's here. I know exactly what's going on.

LARA (V.O.) Hypnopompic hallucinations. You begin to wake up before you've finished your REM cycle, and so you see your dreams as if they're real life.

LARA You have a ghost.

KATHY I knew it.

LARA (V.O.) It's actually very common.

LARA Mrs. Petersen, this picture came to me. I've recreated it on my phone. Is this the woman you've seen?

Kathy inspects the photo. She gasps.

KATHY Yes! That's her! How --

LARA I thought so. This is Mildred Corrie. She lost her children in a typhoid epidemic 128 years ago.

KATHY Oh...oh no.

LARA (V.O.) Not a real person. Obviously.

LARA Yes. It was horrible in this area. She did her best to save her little boy, but...

KATHY That's awful.

LARA I sense you understand some of what might keep her here.

LARA (V.O.) It's an old house. Tragedy is a good guess. Besides, I do have google.

KATHY Grief. It pulls you apart. You want to hold onto them, you want to let go, you want to be...

LARA Nothing, sometimes.

KATHY Yes.

LARA (V.O.) We need stories. It's just how the human brain is wired. So...I make some up.

LARA She's attracted to your grief. She wants empathy, compassion. From someone who understands.

KATHY But how can I help her? When she appears I can't move, I --

LARA You can look her in the eyes. Take three deep breaths. And tell her with your mind that everything will be all right. She can forgive herself. Can you do that?

Kathy is moved, emotional.

KATHY Yes. Yes, I think I can.

LARA (V.O.) Look, I know her type. If I tell her she needs to take care of herself, she's gonna take one bubble bath. But if I tell her there's someone else here who deeply needs her help? She'll do what it takes.

LARA It may take a few visits before she trusts you, but I'm confident you can help each other.

KATHY Yes, I -- thank you. Thank you.

LARA Of course. Now let's perform a few cleansing rituals together. Take my hands...

FADE OUT

INT. LARA'S CAR - LATER

LARA (V.O.) It's not scamming, okay? I'm not a scammer. These people -- they believe it's a ghost. They want a ghost. They are not gonna listen to something that's not a ghost. So fine. Let's say the house is haunted.

A car door opens.

LARA (calling behind her) Okay, thank you! Yep. Nope. Yep. See you later.

LARA (V.O.) Sorry? Oh, did I believe? In what, in ghosts? Um...I...I used to. But it doesn't hold up, you know? And -- and you do this job long enough and you find you get the same results whether you believe in it or not. The thing that actually matters is that they believe it.

A little dog, SODAPOP, crawls over the seat.

LARA Hey, dude. Did you have fun with the babysitter? Are you a good boy? Yeah.

Sodapop pants happily.

LARA (V.O.) Sodapop. World's greatest dog. (chuckles) Rose named him. He was Rose's dog, really. But after everything that happened, um...it just made more sense for me to keep him.

LARA Yeah, bud, let's see if we can hear that voicemail again. Phone?

Blip-bloop!

LARA (CONT'D) Play voicemail from Mitchell Boone.

COMPUTER VOICE No messages found.

LARA What? Okay, um...

(Archie pants and whines throughout this sequence.)

Blip-bloop!

LARA (CONT'D) Play last voicemail.

COMPUTER VOICE No messages found.

LARA No. Okay, let me look at this, um...it's -- why is it not here? (sighs) Okay, uh, let's um... (Blip-bloop!) Phone, um, call Mitchell Boone.

COMPUTER VOICE Calling Mitchell Boone. (beat) I'm sorry. This call cannot be completed.

LARA Okay. Something's going on with my phone, bud! Alright, Sodapop...wanna go for a drive? It's fine, it's only...six and a half hours.

Sodapop jumps up and licks Lara's face.

LARA (laughs) Okay. Alright. Let's go pick up a couple things. Charity, Oregon here we come.

LARA (V.O.) I thought maybe taking him might help? You know, maybe he could find her, or she'd come back for him, or...I don't know, maybe I'd see her, and she'd see him, and....don't look at me like that. It's fine.

INT. LARA'S CAR - LATER

Sodapop whines in the back seat.

LARA I know, buddy. I know. Look, okay, we're almost there! See? Charity, Oregon. Population 5,000. Okay. And AirBnBs...just this one. Okay. I guess this is kind of in town.

The car slows, stops. She opens the door and steps outside.

EXT. JAKE'S HOUSE - AFTERNOON

Trees sway in the wind. We're right on the edge of the forest.

JAKE Hey! Lara opens the car door.

LARA Jake Talbott?

JAKE Lara Campbell. The Lara Campbell.

LARA Uh...

Sodapop barks and scurries out of the car.

JAKE Oh, he's fine. I love dogs. Anyway, like I was saying, you're Lara Campbell, right? The paranormal investigator?

LARA Oh, um, yeah. That's me.

JAKE Do you ever work with cryptids? Because there is a ton of Sasquatch activity out here.

LARA Um...I'm sure there is.

JAKE I'm actually working on a Sasquatch experience. The Squatch Walk? It'll go with my podcast, Squatch Talk. I'd actually love it if you could come take a look sometime.

LARA (overlapping) Where's the room? For my stuff?

JAKE Oh, of course. This way. Come on, Sodapop!

Sodapop makes barks happily and follows. Lara sighs.

INT. LARA'S COTTAGE - MOMENTS LATER

Lara and Jake look around. Sodapop races around the space, sniffing at things.

JAKE So this is it!

LARA Small.

JAKE Cozy.

LARA Right.

JAKE You've got a half-bath and kitchenette -- full shower and kitchen in the main house -- plus bed, desk, wi-fi and power. Watch this front door, the latch kind of sticks.

He jiggles the latch.

JAKE Just play with it a little bit, it'll come right open.

LARA Sure.

JAKE And seriously, if you want to see the tracks or hair that I've found, I would love to show you.

LARA I'm actually just here to see the Boones.

His tone changes. Jake goes quiet, awkward.

JAKE Oh.

LARA You know, because their daughter Rose and I used to work together.

JAKE No. I don't know anything about Rose.

LARA That's fine. I just heard she might be having some trouble, or --

JAKE I don't think we're supposed to talk about this.

LARA About what? Rose? The Boones?

JAKE Yeah, I -- I gotta go. I gotta go. Uh...yeah.

He jiggles the handle again, working the door open.

LARA Jake, what are we not supposed to talk about? Did something happen?

JAKE Yeah, yeah, so, uh, let me know about the Squatch Walk. I'd love to have you. I gotta go.

LARA Wait, Jake --

But the door opens and he beats a hasty retreat.

JAKE Let me know about the Sasquatch!

And he's gone. Lara stares after him.

LARA Well, that was weird.

Sodapop pants happily.

EXT. BOONE HOUSE - EVENING

Crickets chirp. Lara walks up, Sodapop at her side.

LARA Okay, Sodapop, this is the Boone House. Nice.

She laughs nervously. Sodapop whines.

LARA I know, buddy. It's okay. She's -- she's probably here. Yeah. (deep breath) Okay.

She knocks on the front door.

TERRI RUIZ-BOONE (56, a smiling, domineering, terrifying force of nature) opens the door.

TERRI Yes?

LARA Mrs. Boone? I'm Lara Campbell, and --

TERRI Nope.

The door slams shut.

LARA Uh...

She knocks again, louder this time. The door opens.

TERRI I told Rose I wasn't taking that dog.

LARA Oh -- no, Mrs. Boone, we're just here for a visit.

TERRI A visit.

LARA Yeah.

TERRI You want to visit Rose. Lara Campbell.

LARA Yeah...

TERRI Do you know what that girl was like before you? My little girl?

LARA Listen, Terri --

TERRI My friends call me Terri. You can call me Mayor Teresa Ruiz-Boone.

LARA Sure.

TERRI She was going to college, you know? She was so focused. So passionate. And then she met you.

LARA I know, I know.

TERRI And suddenly she can talk to ghosts. Her! A good Christian girl. The preacher's daughter. But you know what? She loved you. You. And I don't get it -- I really don't -- but you know, I tried. I really tried. But then -- you know what you did?

LARA I stopped believing.

TERRI (overlapping) No, you left her. You used her, and you broke her, and you sent her back to me. So no, I don't think she wants to see you right now.

LARA Wait. Can I at least talk to your husband? He said you needed my help.

Terri seems surprised.

TERRI Mitchell? When did you talk to him?

LARA He left me a voicemail message.

TERRI He called you?

LARA He said Rose was missing and I needed to come here.

TERRI When was this?

LARA A couple days ago.

Terri considers this.

TERRI Well, he's not taking visitors.

LARA I really think I should talk to him.

Terri considers. She sizes Lara up, makes a decision.

TERRI You want to see him? Sure. Right this way.

They step into...

INT. BOONE HOUSE - CONTINUOUS

Terri ushers Lara down the hallway. A loud wall clock ticks.

TERRI So this is the dog, huh?

LARA Yeah.

TERRI He house-trained?

LARA Yeah, of course.

Sodapop snorts.

TERRI Hm. They walk down the hall.

LARA So has Rose been, um...is Rose still...?

TERRI Let's talk to Mitchell first, shall we?

They walk into...

THE PARLOR

Where the rhythmic beep of a heart monitor takes over for the clock in the hall. Machines whir. Mitchell breathes, labored. This is the room of a very sick man.

TERRI Mitchell? You have a visitor. Lara stops, taking it all in.

LARA Um... Mitchell mumbles.

MITCHELL Mmm?

TERRI This is Lara Campbell. Lara? Reverend Mitchell Boone. I'll just leave you two to...talk.

LARA Wait, um --

But Terri just walks out. Lara hesitates. She approaches Mitchell, carefully.

LARA Okay, uh...hello, sir. Are you -- you're the one who called me. Right? You were worried about Rose. Sir?

On "Rose," he breathes hard, fast, getting excited. The beeps on the machine speed up.

LARA Sir are you, uh... Mitchell whispers.

His voice is labored, ragged. Speaking takes great effort.

MITCHELL Rose. Find...Rose.

LARA Right. Yeah. What happened? Did Rose leave?

MITCHELL She heard...the sound...

LARA What sound?

MITCHELL She heard...the voice...of God...

LARA Okay, Reverend Boone, just calm down.

MITCHELL Rose is...the key! Please...find Rose...

He starts to cough violently. Machines beep, alarms going off. Terri rushes back into the room.

TERRI Mitchell!

She hits a few buttons. The alarms stop.

TERRI What did you do to him?

Sodapop whines.

LARA Sodapop! Don't -- Mrs. Boone, what's going on with Rose?

TERRI Rose is fine. Mitchell? Honey?

Sodapop whines again.

LARA Has she been hearing things? Voices?

MITCHELL The darkness...nothing...reaching...

He breaks off into coughing again.

TERRI Mitchell. Honey. You need to stop talking.

Sodapop barks and runs out of the room. Lara follows.

LARA Sodapop!

TERRI Hey, don't -- ugh.

But Lara's already disappeared into --

THE HALL

She hurries down the hall.

LARA Now where did that dog...huh.

She opens the door into...

ROSE'S ROOM

And stops. Shocked.

LARA Oh my god. Um, uh...

Sodapop runs around, sniffing. Bloop-blip! Voice recorder on. She speaks quickly, quietly. She's rattled, scared.

LARA Lara Campbell, June 22nd, 3:00pm. -- Pops, don't touch that! -- Audio notes. I'm in Rose's room. And it's...Photos are on the phone.

Sodapop whines.

LARA The whole room seems to be disintegrating. It's crazy I couldn't see this from the outside. All the wood, the windowpanes, the walls, it's like...tissue paper. And there are...drawings. All over the walls. The floor. Under the desk. On top of the desk. It's hard to tell -- Pops, no! -- they overlap each other. The lines are erratic, frantic. When did she draw this? I think they might be animals? But they're...wrong. Too many eyes, all kinds of teeth, it's...

Sodapop sniffs and sneezes at something.

LARA Pops, don't...wait. Is that...Rose's phone?

The door squeaks open. Terri charges in.

TERRI What are you doing?

LARA Terri...what is going on in here?

TERRI You have to get out of here. We don't go in here. Get out!

She grabs Lara and pulls her back into --

THE HALL

She shuts Rose's door, quickly.

TERRI We don't go in there. Do you understand? We don't go into Rose's room.

LARA Mrs. Boone, where is Rose?

TERRI She's...she's camping.

LARA Camping.

TERRI Yes.

LARA And how long has she been camping?

TERRI Two weeks.

LARA Two weeks?!

TERRI Shhh! I just got Mitchell settled.

Lara lowers her voice, but she's just as intense.

LARA Was this before or after she drew creepy hell-monsters all over her room?

TERRI We don't go into Rosa's room!

LARA Mrs. Boone, your daughter goes missing for two weeks...

TERRI She's not missing.

LARA After hearing voices...

TERRI Mitchell doesn't know what he's saying.

LARA And tearing her room apart...

TERRI We don't go in there!

LARA And you don't think to call anyone?

TERRI She's fine! Okay? Everything is fine.

LARA How long has Mitchell been like that?

TERRI You shouldn't be here. You need to go.

She pulls open the heavy front door.

LARA Mrs. Boone...

Lara steps outside.

TERRI Leave. Now. Or I call the sheriff.

LARA That's actually a great idea.

TERRI And take the dog with you.

Terri slams the front door in her face. A beat. The clock ticks. Terri sighs.

TERRI (under her breath) Awful woman and her stupid dog...

Terri makes her way back to Mitchell. His machines hiss and whir.

TERRI You know she's going to catch it now.

MITCHELL (raspy breath) Good.

INT. LARA'S COTTAGE - NIGHT

It's late. Pitch-dark. Rain falls softly outside.

LARA (V.O.) Lara's phone was password-protected. I tried everything I could think of short of locking it forever, um... No, I mean, by the time I got back it was pretty late and, you know, driving all day, it's super dark out there, so...so that brings us to this next part...

Lara is in bed. She snores softly in her sleep. There's a soft knock on her door. Quiet, like someone doesn't want to wake her: knock-knock-knock-knock.

Knock-knock. The same soft knock. Lara sits up. She is tired, confused.

LARA Jake?

She waits a moment. Just when she thinks it's done...knock knock.

LARA Jake? What do you want? It's like three in the morning.

A pause, then knock-knock-knock-knock-knock -- louder, more insistent.

LARA Okay, God, I'm getting up! If this is a Bigfoot thing, I swear...

She clicks on a lamp. Nothing happens. She clicks it a few more times.

LARA Hey, Jake? I think the power's out. None of the lights are --

The knocking changes, coming faster, heavier.

LARA ...Jake?

The room erupts into knocking and banging sounds. Lara cries out, breathes hard, moves around the room.

CRASH! Something breaks the window. It plops onto the floor, wet and amorphous like a pile of spaghetti. Lara screams. The knocks and bangs continue, along with a strange whistling sound. The wet thing moves across the ground in a series of squishy splat sounds.

Lara runs to the door, pulls on it, but it doesn't open.

LARA Come on, come on, come on come on come on --

Lara wrenches the door open and races out into --

EXT. JAKE'S HOUSE - NIGHT

She scrambles over the gravel, turns, and... Nothing. The sounds have all stopped. Just the peaceful rain. Lara waits, breathing hard. But nothing happens.

LARA What...?

The back door to Jake's house opens. Lara jumps.

LARA Ah!

JAKE Lara? What are you doing out here?

LARA Um, I -- I think the power's out.

JAKE Well, all your lights are on...

Lara turns back.

LARA What the hell?

JAKE Are you okay?

LARA I think something...broke my window.

JAKE Oh. Okay. Let me take a look.

They walk across the gravel and grass.

JAKE Did you see what broke it?

LARA Um, no, I...oh my god. Sodapop?

Sodapop comes out. He yawns and shakes off.

JAKE Looks like he was sleeping.

LARA But...how could he...?

JAKE It's okay. I'll check it out.

Jake opens the door and enters the cabin. Sodapop jumps on him happily as he goes.

JAKE Good boy, buddy.

A beat. Lara fidgets in the grass. She stops, seeing something.

LARA (to herself) What...?

Jake calls out from the cabin.

JAKE (O.S.) I think it was just a branch. Lara?

No answer. He steps out of the cabin.

JAKE Lara? What...

He approaches her. Sodapop sniffs around.

LARA Are those footprints?

JAKE Footprints. Oh yeah, oh yeah, those are some giant footprints.

Lara groans.

LARA Oh, god. I'm gonna have to go on a Squatch Walk, aren't I?

FADE OUT

END TITLES

Music box style music plays.

JULIE (V.O.) Thank you so much for listening to the first episode of Believer. This episode was sponsored by Saunders & Associates, LLC, providing medical insurance consulting the beautiful state of Oregon and beyond. Believer is a brand new pod-baby and she needs your help in order to grow. So like, subscribe, review, but most importantly tell someone about the show. Word-of-mouth is how most people find their podcasts, so a recommendation goes a long way. For full credits, transcripts, extended thank-yous, and more information, go to BelieverPodcast.com. Episode 2 comes out on March 17th. Until then, if you hear any strange sounds in the woods, just pay it no mind. It's probably nothing.

Music ends.

END OF EPISODE